2023 is almost over, but before the year ends, surely you have room for one more Eating the Fantastic meal — especially since it’s at what Calvin Trillin once called “the single best restaurant in the world.” Join me at Arthur Bryant’s BBQ for the second conversation coming to you from the Kansas City World Fantasy Convention, following last episode’s dinner with Nina Kiriki Hoffman.

My guest this time around is Pat Murphy, who won the Nebula Award for her 1986 novel The Falling Woman, plus a second Nebula the same year for her novelette, “Rachel in Love.” She also won the Philip K. Dick Award for her 1990 short story collection Points of Departure, and the World Fantasy Award for her 1990 novella, Bones. For more than 20 years, she  and Paul Doherty cowrote the recurring Science column in the Magazine of Fantasy & Science Fiction. She also co-founded the James Tiptree, Jr. Award in 1991. And that’s just the tip of the iceberg.

I’ve known Pat for a loooong time, and I can tell you exactly how long — we met on September 4, 1980, more than 43 years prior to the conversation you’re about to hear. If you want to learn exactly how and why I can pinpoint that date, well, the episode will reveal all.

We discussed the part of Robert A. Heinlein’s famed rules of writing with which she disagrees, why she felt the need to attend the Clarion writing workshop even after having made several sales to major pro markets, the occasional difficulties in decoding what an editor is truly trying to tell you, the importance of never giving up your day jobs, why she can’t read Dylan Thomas when she’s working on a novel, the differences between the infighting we’ve seen in the science fiction vs. literary fields, what we perceive as our personal writing flaws, a Clarion critiquing mystery I’ve been attempting to solve since 1979, the science fiction connection which launched her career at the Exploratorium, and much more.

Here’s how you can join us at Arthur Bryant’s BBQ — (more…)

The year’s almost over, but here at Eating the Fantastic, October’s World Fantasy Convention has only just begun.

The first of four conversations I brought back for you from Kansas City is with Nina Kiriki Hoffman, who aside from having sung the earworm “Feelings” with me more times than I can count, has either won or been a finalist for the Nebula Award, the Locus Award, the World Fantasy Award, the Theodore Sturgeon Award, the HOMer award from CompuServe, the Endeavour Award, the Mythopoeic Society Award, the James Tiptree Jr. Award, and the Philip K. Dick Award.

She won the 2008 Nebula Award for Best Short Story for “Trophy Wives,” and her novel The Thread That Binds the Bones won the Bram Stoker Award for first novel. Other novels include The Silent Strength of Stones (a sequel to The Thread That Binds the Bones), A Fistful of Sky, and A Stir of Bones. Her novella ‘”Unmasking,” published in 1992 by Axolotl Press, was a finalist for the 1993 World Fantasy Award. Her novella “Haunted Humans” was a finalist for the 1995 Nebula Award for Best Novella and on the same ballot as her novelette”The Skeleton Key,” shortlisted for Best Novelette.

We discussed the way a ghost story which left her wanting more led to her taking her writing more seriously, her early reactions to reading Robert A. Heinlein and Ursula K. Le Guin, how the Clarion workshop convinced her she could have a career as a writer, the way she wanted to grow up to be a combination of Ray Bradbury and Zenna Henderson, what she learned about characterization from Samuel R. Delany while at Clarion, the major difference she saw between the horror and science fiction communities during the early days of the Internet, how my perception of the arc her career was affected not by what she wrote but by what she sold, the lesson Ellen Datlow taught her which she passes on to her students, and much more.

Here’s how you can join us at Lulu’s Thai Noodle Shop — (more…)

It’s time to return to the Rockville, Maryland convention Capclave for a second episode of Eating the Fantastic, following my Peruvian lunch with Alex Shvartsman. This time around you’re invited to dinner with Neil Clarke, who’s best known as the editor and publisher of the Hugo and World Fantasy Award-winning Clarkesworld magazine, launched in October 2006. Clarkesworld has been a finalist for the Hugo Award for Best Semiprozine four times (winning three times), the World Fantasy Award four times (winning once), and the British Fantasy Award once (winning once).

Neil himself is also an eleven-time finalist for the Hugo Award for Best Editor-Short Form (winning twice), three-time winner of the Chesley Award for Best Art Director, and recipient of the 2019 Kate Wilhelm Solstice Award from SFWA. In the seventeen years since Clarkesworld Magazine launched, stories that he’s edited have been nominated for or won the Hugo, Nebula, World Fantasy, Sturgeon, Locus, BSFA, Shirley Jackson, WSFA Small Press, Stoker, and various other awards.

He also  edits Forever — a digital-only, reprint science fiction magazine launched in 2015. His anthologies include: Upgraded, Galactic Empires, Touchable Unreality, More Human than Human, The Final Frontier, Not One of Us, The Eagle has Landed, and the Best Science Fiction of the Year series. His latest anthology, New Voices in Chinese Science Fiction (co-edited with Xia Jia — who was a guest of this podcast way back in Episode 50 — and Regina Kanyu Wang), was published in July.

We discussed how Clarkesworld was born (and what he wishes he’d known back when the magazine launched), the motivation behind his unrivaled response times, the irresponsible impact of AI on science fiction and what he’s doing to help ameliorate it, how he proactively analyzes submission data to make sure he receives stories from diverse voices, the differing effect of the pandemic lockdown on first time vs. established authors, why it’s hard for people to sell him a time travel story, his problems with Star Trek‘s transporter, the true meaning of rejections, why reading science fiction in translation is so important, Lester del Rey’s prophetic warning about the provincialism of U.S. fandom, and much more.

Here’s how you can join us at Mykonos Grill — (more…)

This episode serves up the first of two conversations I captured last month during Capclave in Rockville, Maryland. My guest this time around is Capclave regular Alex Shvartsman, with whom I’ve pontificated on many panels over the years.

Shvartsman is the author of the new fantasy novel Kakistocracy, as well as The Middling Affliction (2022), and Eridani’s Crown (2019). More than 120 of his short stories have appeared in Analog, Nature, Strange Horizons, Fireside, Weird Tales, Galaxy’s Edge, and many other venues. He won the WSFA Small Press Award for Short Fiction in 2014 and was a three-time finalist for the Canopus Award for Excellence in Interstellar Fiction. His translations from Russian have appeared in The Magazine of Fantasy & Science Fiction, Clarkesworld, Tor.com, Asimov’s, Analog, Strange Horizons, and elsewhere.

He’s also the editor of the Unidentified Funny Objects series of humorous SF/F, as well as a variety of other anthologies, including The Cackle of Cthulhu, Humanity 2.0, and Funny Science Fiction. For five years he edited Future Science Fiction Digest, a magazine that focused on international fiction. And on top of all that, he’s one of the greatest Magic: The Gathering players ever, ranking way up there in tournaments from 1998-2004, something I hadn’t known about him even though I’ve known him for years.

We discussed how intimations of mortality got him to start writing fiction, what he learned as a pro player of Magic: the Gathering which affected his storytelling, why he set aside his initial urge to write novels in favor of short stories, which U.S. science fiction writers are more famous in Russia than their home country, the reason his success as a writer and editor of humor came as a surprise, why he feels it’s important to read cover letters, the secret to writing successful flash fiction, his “lighthouse” method of plotting, and much more.

Here’s how you can join us at La Canela, a Peruvian restaurant which has long been popular with Capclave attendees — (more…)

The pros who attend Baltimore Comic-Con tend to be so tightly programmed it’s nearly impossible for me to spirit anyone away to chat and chew during the con itself. So I’m extremely pleased I was able to convince the legendary Mike Gold to head out for dinner the night before the con began.

Gold entered the comic industry as DC’s first public relations manager. But as I was astounded to discover, he did some PR earlier than that — as the media coordinator for the defense at the Chicago Conspiracy trial, acting as the intermediary between the press and the likes of Abbie Hoffman and Jerry Rubin, when he was only a teen.

After DC, in 1983, he launched First Comics, where he edited Howard Chaykin’s American Flagg, Mike Baron and Steve Rude’s Nexus, Jim Starlin’s Dreadstar, Mike Grell’s Jon Sable Freelance, and many other classic series. Then after his move back to DC in 1986, he edited such titles as Legends, The Shadow, The Question, Action Comics Weekly, Green Arrow: The Longbow Hunters, Blackhawk, and others.

In 2006, he co-founded ComicMix, and in 2011, he received the first Humanitarian Award from the Hero Initiative. And — since he’s five years older than I am — meaning I would have read Fantastic Four #1 at age six, and Mike at eleven, five years counting for a lot back then — I enjoyed digging into our differing perspectives about the early days of comics.

We discussed the way his hiring at DC Comics was all Neal Adams’ fault, how the guerrilla marketing he learned from Abbie Hoffman helped him quadruple direct market sales, the Steve Ditko Creeper cover which sent a not-so-secret message to publisher Carmine Infantino, why editor Murray Boltinoff compared Marvel Comics to the Beatles (and not in a good way), which staffer was “the most disgusting human being I’d ever met in my life,” how First Comics was born, his secret weapon for getting creators to deliver their work on time, our differing contemporaneous exposure to Fantastic Four #1 (and how his related to Merrick Garland), the way an off-hand comment led to a classic John Byrne comic, how the comic book field is like a donut shop, and much more.

Here’s how you can join us at Heritage Smokehouse — (more…)

It’s time to return to Readercon for the second and final conversation from that favorite con of mine, following last episode’s chat with Lauren Beukes

This time around my guest is Michael Marano, winner of both the Bram Stoker Award and the International Horror Guild Award for Best First Novel for Dawn Song, published by Tor Books in 1998. His short fiction has appeared in the anthologies Outsiders: 22 All New Stories from the Edge, Dark Fusions: Where Monsters Lurk, The Outer Limits, Volume Two, Peter S. Beagle’s Immortal Unicorn, and others. His novella “Displacement” was nominated for a 2011 Shirley Jackson Award. Some of his short fiction has been gathered in the collection Stories from the Plague Years from Cemetery Dance Publications.

Michael’s also a journalist who went on many junkets for me back when I edited science fiction media magazines. His non-fiction has appeared in alternative newspapers such as The Independent Weekly, The Boston Phoenix, and  The Weekly Dig, plus his column “MediaDrome” has been a popular feature in Cemetery Dance magazine since 2001. He’s a writing teacher as well, which you’ll hear all about in this episode. Plus, he’s an aerialist who’s done performances inspired by a variety of science fiction greats. That’s an art form I’ve never had the chance to discuss before, so that’s where our conversation began.

We discussed how his love of science fiction storytelling led him to explore wrestling and roller derby, the lessons we each learned from our early rejections, his preference for old school Dungeons & Dragons, how his crush on Linda Blair affected his first celebrity interview, whether writers ever really retire regardless of what they claim, what his career as a film critic taught him about the possible arc of his fiction writing career, and much, much more.

Here’s how you can join us at Bay Pointe Waterfront Restaurant — (more…)

One of my favorite cons is the Massachusetts-based Readercon, which I’ve been going to since the first in 1987. I’ve only missed it once, and that time I was so heartbroken I shipped former guest of the podcast Paul Di Filippo a life-sized standup of myself to install in the lobby so friends could send me photos they took posing with it to cheer me up.

At this year’s Readercon, my first guest of the weekend was Lauren Beukes, who I first met at the very start of her novel publishing career — at the 2009 Worldcon in Montreal, where Angry Robot Books held a launch party which included Moxyland. That party also debuted the first novel of previous guest of the podcast Kaaron Warren, who was launching her own book Slights.

In addition to Moxyland, Beukes is also the author of the novels Zoo City (winner of the 2011 Arthur C Clarke Award), The Shining Girls, Broken Monsters, Afterland, and her newest novel, Bridge. The Shining Girls, about a time-travelling serial killer and the survivor who turns the hunt around is currently an Apple TV+ series with Elisabeth Moss. She’s also the author of the short story collection, Slipping, plus a pop-history, Maverick: Extraordinary Women From South Africa’s Past.

Beukes has worked also in worked in film and TV, as the director of Glitterboys & Ganglands, a documentary which won Best LGBTI Film at the Atlanta Black Film Festival, and as showrunner and head writer on South Africa’s first half hour animated TV show, Pax Afrika, which ran for 104 episodes on SABC. Her comics work includes the original horror series, Survivors’ Club with Dale Halvorsen and Ryan Kelly, and the New York Times best-selling Fairest: The Hidden Kingdom, a Japanese horror remix of Rapunzel with artist Inaki, as well as “The Trouble With Cats,” a Wonder Woman short set in Soweto with Mike Maihack.

We discussed why the genre community is like a giant amoeba, how her choice of D&D character is in perfect sync with the way she writes, the reason she only recently realized she has ADHD (and why her new novel Bridge is definitely an ADHD book), why AI can never replace writers, the ways in which the protagonist of her new novel is different from all her other protagonists, the importance of authenticity readers, why acquiring editors at publishing companies are like restaurant critics, the importance of art in helping us find our way through the darkness, the reason you shouldn’t be so hard on your younger self, how she uses the Tarot to get unstuck, and much, much more.

Here’s how you can join us at the amazing Bright Light Jamaican and Filipino restaurant — (more…)

I love Eating the Fantastic’s lightning-round donut episodes, for which I park myself in a heavily trafficked area of a con with a dozen donuts and chat with anybody who’s up for trading five minutes of talk for a freebie. It’s a fun contrast to my usual well-researched one-on-one conversations, in that it’s completely spontaneous, since I never know the identities of my guests until their eyes alight on my donuts and they choose themselves.

In 2016, listeners were able to eavesdrop on the Readercon Donut Spectacular, then in 2017 the Balticon Donut Extravaganza, in 2018 the Nebula Awards Donut Jamboree, and in 2019 — before the pandemic forced me to take a break from such things — the StokerCon Donut Spooktacular.

Because Capclave — which ended the day before yesterday as this episode goes live — not only has a patio, but this year, unlike last, had weather warm enough for us to gather there, I was able to bring back that tradition. On Saturday afternoon, I sat down out on the patio with two boxes of donuts from Donut King in Kensington, Maryland, and waited for potential guests to materialize.

So join us during the lightning-round Capclave Donut Carnival, where you’ll hear R. Z. Held and me bond over rejection, David Hacker explain his love of listening to writers read, Michael Dirda recall why Orson Scott Card once kneeled before him on an elevator, James Morrow share his fascination with Charles Darwin, how Katy Lewis found her husband through Dungeons and Dragons, Michael Walsh’s favorite moment as a con chair (which involved Howard Waldrop, Gardner Dozois, and George R. R. Martin), Bill Lawhorn clarify the creation of the bronze dodo, Sarah Pinsker reveal how and why her first science fiction convention was Capclave, Adeena Mignogna explain why space is cool but space travel gets really hot, Mike Zipzer’s memories of Terry Pratchett’s surprise visit, Sarah Mitchell’s arranging of a secret con wedding, Sunny Moraine opine on how the world’s response to COVID-19 changes our ideas of what would happen in a real-world zombie apocalypse, John Pomeranz chat about how the infamous Disclave Great Flood thrust him into being a hotel liaison — and much more!

Here’s how you can dig into those donuts with us — (more…)

The latest installment of Eating the Fantastic took me to this year’s Shore Leave at the Delta Hotel Baltimore Hunt Valley in Hunt Valley, Maryland, which sadly was the last time I or anyone else will be attending a convention at that location. To find out why, give a listen to my intro before this episode’s chat.

My guest this time around is Hildy Silverman, perhaps best known for having been the Editor-in-Chief of Space and Time Magazine from 2005 through 2018. But she’s also a writer of science fiction, fantasy, horror, and the interstitial spaces between. Her short stories have appeared in such anthologies as The Dystopian States of America, Bad Ass Moms, Release the Virgins, Baker Street Irregulars, and most recently, Three Time Travelers Walk Into.

In 2013, her short story “The Six Million Dollar Mermaid,” which appeared in the anthology Mermaids 13: Tales from the Sea, was a finalist for the WSFA Small Press Award. In 2020, she joined the Crazy 8 Press authors collective, which publishes novels and anthologies by its membership. She is a past president of the Garden State Speculative Fiction Writers and has frequently pontificated with me on the science fiction convention circuit.

We discussed the kindergarten incident which taught her all she ever wanted to do was write, how to keep writing when the whole world is telling you to stop, what she learned early on from such literary lions as Sue Miller and Jayne Anne Phillips, the lunch that changed her life, why she loves writing for themed anthologies (and how to do it right), what made her decide to take over as editor and publisher of Space and Time magazine, how to beat the odds of the slush pile, the ways being an editor helped her become a better writer, how she’s managed to collaborate without killing her writing partner, and so much more.

Here’s how you can join us at Tibliso Georgian restaurant — (more…)

It’s time for you to join me at the table for my final StokerCon conversation, following the ones with my mid-’70s Marvel Comics Bullpen pal Howard Bender and screenwriter, award-winning prose writer, and Halloween expert Lisa Morton. And this might be my most horrific conversation yet! Not merely because of my guest — but because certain scenes from Night of the Living Dead were shot in the basement of our chosen venue, The Original Oyster House!

Michael Bailey is an award-winning writer and editor, having been nominated for a Bram Stoker Award nine times, winning once for the anthology The Library of the Dead, and a four-time Shirley Jackson Award nominee. His novels include Palindrome Hannah (2005) and Phoenix Rose (2009). His short stories have appeared in numerous anthologies, including Birthing Monsters: Frankenstein’s Cabinet of Curiosities and Cruelties, Lost Highways: Dark Fictions from the Road, Canopic Jars: Tales of Mummies and Mummification, and most recently Hybrid: Misfits, Monsters and Other Phenomena.

Many of these stories have been gathered in the collections Scales and Petals (2010), Inkblots and Blood Spots (2014), Oversight (2018), and The Impossible Weight of Life (2020). He’s the owner of the small press Written Backwards, which has published many excellent anthologies, and I’m not calling them excellent simply because my own short stories have appeared in many of them. He’s currently the screenwriter for the documentary series Madness and Writers: The Untold Truth. Maybe?, which all of us in the horror community are looking forward to seeing.

We discussed his Stoker Award-nominated poetry collaboration with Marge Simon (and how they managed not to kill each other during the writing of it), how he knows when a poem is a poem and not a short story, what reading other anthologies taught him that made his own anthologies better, the economics of small press publishing, how to lose awards gracefully, the way getting an early story torn apart by Douglas E. Winter at Borderlands Boot Camp gave him the boost he needed, why his novel Psychotropic Dragon took 16 years to transform from an idea into a book, how one of the joys of writing is never knowing the end until you get there, his new obsession of making chocolate from fruit to bar, our shared love of revising continually, and so much more.

Here’s how you can join us at The Oyster House — (more…)