In the real world, I’m still haven’t fully recovered from last weekend’s Seattle Worldcon, but in Eating the Fantastic’s timeline, we’ve just arrived at the beginning of last month’s Readercon. And my first guest from the first night of that con is the multi-talented Mur Lafferty.

Mur Lafferty is an author and podcaster from Durham, NC. She’s been a podcaster since December 2004, working on such shows as I Should Be Writing, Ditch Diggers, Pseudopod, Mothership Zeta, Escape Pod, and others. Ditch Diggers (with Matt Wallace) won the 2018 Hugo Award for Best Fancast. Her longest running show is I Should Be Writing, which she’s been hosting and producing since 2005. All of those activities have also resulted in her winning the Podcast Peer Award, three Parsec Awards, and being inducted in 2015 into the Podcaster Hall of Fame.



And the awards have come for her writing as well, starting with her being the 2013 winner of the Astounding Award — then called the John W. Campbell  Award — for Best New Writer. She was the 2014 and 2015 winner of the Manly Wade Wellman Award for her novels The Shambling Guide to New York City and Ghost Train to New Orleans. Her 2018 clone murder mystery in space, Six Wakes, was a nominee for a Hugo, Nebula, Philip K. Dick, and Manly Wade Wellman Award in their novel categories.



Infinite Archive, the third book in The Midsolar Murders series — following Station Eternity (2022) and Chaos Terminal (2023) — was released in July. She’s also written Solo: A Star Wars Story, the writing workshop in a can I Should Be Writing, and so much more.

We discussed the problems which come from being a discovery writer who sells a novel via a pitch, how to play fair with readers of science fiction mysteries, the reason everyone’s worried she wants to kill her agent, one major difference between Hollywood and publishing, why the character she often thinks will end up being the murderer doesn’t end up being the murderer, how to deftly recap previous books in a series, whether going too weird might alienate a writer’s audience, what keeps her continuing to podcast after 21 years, the importance of shrugging off rejections, and much more.

Here’s how you can join us for ramen at Gyu-Kaku Japanese BBQ — (more…)

It’s time to say farewell to this year’s Nebula Awards weekend, following our lunch with Aimee Ogden and dinner with Curtis C. Chen.

This episode you’ll be able to eavesdrop on my lunch with Benjamin Rosenbaum, who’s been published in The Magazine of Fantasy & Science Fiction, Asimov’s Science Fiction, Harper’s, Nature, McSweeney’s Quarterly Concern, and many other venues, and as a result has been nominated for the Hugo, Nebula, BSFA, Sturgeon, and World Fantasy Awards. He’s the author of the short story collection The Ant King and Other Stories, and the Ennie-nominated Jewish historical fantasy tabletop roleplaying game Dream Apart.

His most recent novel is The Unraveling (2021), which first appeared in Germany three years earlier. The Ghost and the Golem, his 480,000-word Jewish historical fantasy interactive novel set amidst the pogroms of 1881, was a Nebula Award nominee in the category of Game Writing that weekend, so as you listen, you can think of Benjamin as Schrödinger’s nominee, existing in a state of many possibilities at once. He is also the co-host of the podcast Mohanraj and Rosenbaum Are Humans.

We discussed the perhaps true/perhaps whimsical reason he ended up in the science fiction field rather than literary publishing, why the story he found the most difficult to sell became his most-read work, how he gamified the submission/rejection process to get into Clarion, the way all stories set in the future are being read in translation, the reason he couldn’t write for a while after his first Nebula nomination, the moral and aesthetic reasons the story of Ghost and the Golem ended up as a game rather than a novel, why he believes “I am very much a child of Chip Delany,” the fascinating differences between the German and English versions of his novel The Reckoning, the intricacies of turning games into novels and novels into movies, and much more.

Here’s how you can join us for seafood at Earl’s Premier — (more…)

Last episode kicked off a run of Nebula Awards weekend conversations as you joined Aimee Ogden for lunch, and now our time together in Kansas City continues as you head out to dinner with Curtis C. Chen.

Curtis C. Chen’s debut novel Waypoint Kangaroo (which was a 2017 Locus Awards and Endeavour Award Finalist) is the first in a series of funny science fiction spy thrillers. That was followed by Kangaroo Too (which received a starred review from Publishers Weekly) and True Blue Kangaroo (a Smashwords bestseller for three months running). From 2008 to 2013, he posted a new flash fiction piece every Friday on a blog called “512 Words or Fewer.” 117 of those very short stories were collected in the book Thursday’s Children. His shorter works have appeared in Playboy, the ENNIE Award-winning Kobold Guide to Roleplaying, The Year’s Best Fantasy: Volume 2, Aliens vs. Predators: Ultimate Prey, and elsewhere.

He has written for the Realm original podcasts Echo Park, Ninth Step Murders, and Machina. His homebrew cat feeding robot was displayed in the “Worlds Beyond Here” exhibit at Seattle’s Wing Luke Museum. He is a graduate of the Clarion West and Viable Paradise writers’ workshops.

We discussed how he discovered Star Trek through the bars of his crib, how the super spystar of his Kangaroo trilogy was born, what it was like being critiqued by Pat Murphy and Ursula K. Le Guin when he was starting out, how taking voice acting lessons kickstarted his desire to write, the way to tell when it’s time to quit your day job (or not), how his nearly five-years-long flash fiction story-a-week project began, his creative solution for referencing the 20th century in his future series, an intriguing exercise for writers when watching TV shows based on the written word, why he went indie for the third book in his series, and much more.

Here’s how you can join us for BBQ at Buck Tui — (more…)

In the flesh and blood world, I’m about to head off for Readercon, but in the world of Eating the Fantastic, it’s instead the Nebula Awards weekend that’s about to begin, with the first of three conversations recorded last month in Kansas City.

My guest this episode is Aimee Ogden, whose short fiction has appeared in publications such as Lightspeed, Fantasy, Analog, Clarkesworld, and Beneath Ceaseless Skies. Her debut novella, “Sun-Daughters, Sea-Daughters”, was a 2021 Nebula Finalist, and just this year, she was once again a Nebula finalist for the novelette “What Any Dead Thing Wants.” Also, her short story “A Flower Cannot Love the Hand” was a finalist for the Eugie Foster Memorial Award in 2022. Her latest novella, “Starstruck,” was released in June She’s also is the co-founder, co-publisher, and former co-editor of Translunar Travelers Lounge, a speculative fiction magazine devoted to fun, optimistic stories.

We discussed the YA novel origins of her new novella and the way a watermelon radish gave birth to them both, whether we agree which of her characters therein will captivate readers the most, why she believes in “productive procrastination,” how having twins counterintuitively helped rather than hindered her writing output, our opposing views on plotting vs. pantsing, the Bible story she can’t stop thinking about, how she chooses the next best thing to write, her secret to writing successful flash fiction, how she was able to carry on in the face of rejection, why being an editor helped her become a better writer, which Ursula K. Le Guin quote she chose as a tattoo, and much more.

Here’s how you can join us for BBQ at Jack Stack Freight House — (more…)

It’s time to return one last time to Balticon 2025 by taking a seat at the table for the third and final conversation I wrangled for you there. You’ve chatted and chewed with Kemi Ashing-Giwa and Silvia Moreno-Garcia, now it’s time for lunch with Samantha Mills.

Mills is a multiple award-winning author living in Southern California. Her debut science fantasy novel, The Wings Upon Her Back, came out in 2024 and won the Compton Crook Award for best SFFH debut in 2025. Her short stories have appeared in Uncanny Magazine, Beneath Ceaseless Skies, Strange Horizons, Escape Pod, and other venues.

In addition to winning the Nebula, Locus, and Theodore Sturgeon Memorial awards for her short story “Rabbit Test” in 2023, Mills has also been nominated for the Pushcart Prize, made the Locus Recommended Reading List and the BSFA long list multiple times, and was included in the best-of anthologies The New Voices of Science Fiction and The Year’s Best Science Fiction & Fantasy 2023.

She graduated from the University of Santa Cruz with a B.A. in Pre- and Early Modern Literature, and received a Master’s in Information and Library Science from San Jose State University. In the other half of her life, she’s a trained archivist specializing in primary documents, with a particular focus on local historical societies. When she isn’t working, writing or taking care of children, she’s watching B-movies, binding books, and crocheting stuffed animals.

We discussed how the eighth novel she wrote became her award-winning debut novel, what she means when she says that novel was “kind of” outlined, the way fascism takes root in a society, the trickiness of writing a narrative with split timelines (and why she’s never doing it again), how being an archivist helped her write about a world where archiving matters, the secret to writing believable fight scenes, her technique for switching up writing time between novels and short stories, the early influence of Xena: Warrior Princess, how years of research resulted in her award-winning short story “Rabbit Test,” the way an early pregnancy test led to a worldwide frog apocalypse, navigating the difficulties of the modern short story market, the organizing principle of her upcoming collection, how she was able to power through her initial rejections, and much more.

Here’s how you can join us for lunch at Nick’s Fish House — (more…)

It’s time for you to take a seat at the table for the second of three episodes of Eating the Fantastic recorded during last month’s Balticon. You’ve already had lunch with Compton Crook Award-winning writer Kemi Ashing-Giwa — and now it’s time for breakfast with Silvia Moreno-Garcia.

Moreno-Garcia is the author of a number of critically acclaimed novels, including Gods of Jade and Shadow (winner of the Sunburst Award for Excellence in Canadian Literature of the Fantastic and the Ignyte Award), Mexican Gothic (which won the Locus Award, British Fantasy Award, Pacific Northwest Book Award, Aurora Award, and Goodreads Award), and Velvet Was the Night (a finalist for the Los Angeles Times Book Prize and the Macavity Award), plus many others. She writes in a variety of genres including fantasy, horror, noir and historical. 

Her short stories have appeared in such magazines as Uncanny, Lightspeed, Nightmare, Giganotosaurus, and Shimmer, and in such anthologies as The Mammoth Book of Cthulhu: New Lovecraftian Fiction, New Suns: Original Speculative Fiction by People of Color, Gods, Memes and Monsters: A 21st Century Bestiary, and others. She has edited several anthologies, including She Walks in Shadows (a World Fantasy Award winner, published in the USA as Cthulhu’s Daughters). Her most recently published novel is The Seventh Veil of Salome, set in 1950s Hollywood, and a new novel, the multigenerational horror saga The Bewitching, is due out next month.

We discussed how short stories helped her find her voice, the way a gross dream combined with a teen cemetery trip led to Mexican Gothic, her love for abandoned places, why she found Madame Bovary startling when she read it in high school, how to successfully write genres in which the reader is more aware of the tropes than the protagonist, the beauty to be found in flawed characters, how to make sure parallel storylines are equally interesting, one technique she admits doing which makes multiple types of reader angry, the difficulty of resisting branding, the reason the term magic realism is overused, and much more.

Here’s how you can join us for lunch at Baltimore’s Papermoon Diner — (more…)

Last month’s Balticon was one of the best I’ve ever experienced, due to a combination of good programming, good friends, good food (including visits to two spectacular bakeries which were new to me), and what’s most important as far as you’re concerned — good podcast guests. Kemi Ashing-Giwa, an author and scientist-in-training based in Palo Alto, is the first of three on whom you’ll get to eavesdrop.

Her work includes the USA Today bestselling, Compton Crook Award-winning novel The Splinter in the Sky, the novella This World Is Not Yours, and the forthcoming novel The King Must Die, due out in November. Her short fiction, which has been nominated for an Ignyte Award and featured on the Locus Recommended Reading List, has been reprinted in The Year’s Best African Speculative Fiction Volume 3, Some of the Best from Tor.com: 15th Anniversary Edition and 2024, and The Year’s Top Tales of Space and Time 3. She studied organismic and evolutionary biology with a secondary in astrophysics at Harvard, and is now pursuing a PhD in the Earth & Planetary Sciences department at Stanford.

We discussed her conscious decision to not take any creative writing courses in college, the eight never-to-be published novels she wrote on her way to The Splinter in the Sky, how COVID-19 led her to take a deep dive into tea (and how tea then inspired her debut novel), her evolution from pantser to plotter, her outreach to 200 agents before she found the right one, how to craft compelling opening sentences, her tips for writing successful fight scenes, why she was able to handle attending Harvard and writing a novel at the same time, how best to deal with editorial revision suggestions, her love of reading debut novels, and much more.

Here’s how you can join us for lunch at Baltimore’s Thames Street Oyster House — (more…)

This episode, which invites you to take a seat at the table with Craig Laurance Gidney, captures a meal which could have taken place during AwesomeCon — but didn’t. If you want to know why — you’ll have to join us!

Gidney’s short stories have been collected in Sea, Swallow Me and Other Stories (2008), Skin Deep Magic: Short Fiction (2014), and The Nectar of Nightmares (2022), the first two of which were Lambda Literary Award finalists — as was his 2019 novel A Spectral Hue (2019). He received the Bronze Moonbeam Medal and Silver IPPY Medal for his 2013 novel Bereft. In 1996, at the start of his career, he was also awarded the Susan C. Petrey Scholarship to attend the Clarion West Writing Workshop.

From 2020-2023 he co-edited Baffling Magazine with Dave Ring, and he’s also the co-editor — with Julie C. Day & Carina Bissett — of Storyteller: A Tanith Lee Tribute Anthology, published this month.

We discussed how meeting Samuel R. Delany led to his attending the Clarion Writing Workshop, the influence of reading decadent writers such as Verlaine and Rimbaud, why he kept trying to get published when so many of his peers stopped, the many ways flaws can often make a story more interesting, our shared love of ambiguity, the reason there must be beauty entwined with horror, why he’s a vibes guy rather than a plot guy, the time Tanith Lee bought him a pint and how that led to him coediting her tribute anthology, what he learned from his years editing a flash fiction magazine, and much more.

Here’s how you can join us for lunch at the Unconventional Diner in Washington, D.C. — (more…)

Ever since Adeena Mignogna dared to eat a donut on the Capclave Donut Carnival episode of this podcast, I knew I’d eventually host her for a more in-depth conversation. And that time is now!

Mignogna is the author of the the Robot Galaxy series, which so far is a quartet, made up of Crazy Foolish Robots; Robots, Robots Everywhere; Silly Insane Humans; and Eleven Little Robots. As you’ll hear in our chat, there’ll be many more to follow. She’s also the author of Lunar Logic — the first novel in a series which doesn’t yet have an overarching title, though the second book will be titled Moonbase Mayhem, so who knows, perhaps there’ll be something alliterative there as well.

She’s also one of the hosts of the long running BIG Sci-Fi podcast. When not writing or podcasting, Adeena is a physicist, astronomer, and software engineer who’s worked for nearly three decades in the aerospace industry as a Mission Architect.

We discussed how Star Trek changed her life, which Trek character she used as her screen name on fan forums when she first went online as a young teen, why she never wrote fanfic, the feedback from a friend which saved her NaNoWriMo novel from being trunked, how she discovered she’s neither a plotter nor a pantser but rather something in-between, her favorite science fiction novel of all time (and the important lesson it taught her about her Robot Galaxy series), why she went the indie route and how she knew she had the chops to pull it off, the manner in which we gender robots, the reason writing each book in her quartet was more fun than the one before, why she remains hopeful about our AI future, how she finally learned she was a morning writer after years of trying to write at night, and much more.

Here’s how you can join us for lunch at Beans in the Belfry in Brunswick, Maryland — (more…)

Awesome Con is always a blast, and not just because it brings back memories of the first comic book convention I attended a lifetime ago when I was only 15. But also because I get to chat with creators I’d never encounter elsewhere on my more science fictional con circuit. This time around I got to dine with and you get to eavesdrop on Jarrett Melendez, author of the graphic novel Chef’s Kiss, which was a 2023 Alex Award winner as well as both an Eisner Award and GLAAD Award nominee. The sequel, Chef’s Kiss Again, will be released in 2026.

As a cookbook author and food journalist, Melendez has written countless articles and developed hundreds of original recipes for Bon Appetit, Epicurious, Saveur, and Food52. He’s written seven cookbooks to date, including My Pokémon Baking Book, RuneScape: The Official Cookbook, Percy Jackson and the Olympians: The Official Cookbook, The Official Wednesday Cookbook, The Official Borderlands Cookbook, and others.

Melendez is currently working on Tales of the Fungo: The Legend of Cep, to be published by Andrews McNeel, plus Fujoshi Warriors, an action comedy comic miniseries, and a love letter to both fujoshis and magical girl anime and manga. Melendez has also contributed to award-winning and nominated anthologies, including Young Men in Love, All We Ever Wanted, and Young Men in Love 2: New Romances.

We discussed how his loves of food and writing combined into a career, the way running comic book conventions gave him the contacts he needed when it was time to create comics of his own, which franchise inspired his sole piece of fan fiction, the comics creator whose lessons proved invaluable, how he knew Chef’s Kiss needed to be a graphic novel rather than a miniseries, the way he balanced multiple plot arcs so they resolved in parallel, the magical pig whose taste is more trustworthy than any chef you’ve ever met, his early crush on Encyclopedia Brown, how he cooks up recipes connected with franchises such as Pokémon and Percy Jackson, the traumatic childhood incident which became the catalyst for his upcoming graphic novel, and much more.

Here’s how you can join us for lunch at Supra Georgian restaurant in Washington, D.C. — (more…)