A recent post over at the always wonderful Giant-Size Geek sent me scurrying to the vault. Richard Guion posted pages of Bullpen photos from the 1975 Mighty Marvel Convention booklet, which happened to include pics of both me and Irene.

In case you don’t remember those pics from previous posts, here we are again.

Didn’t we used to be cute? (Well, Irene still is. Though as for me … )

But never mind that. We’re here today to talk about the cover. Here’s the cover con attendees saw back in 1975.

If you ever wondered how that layout came to be, I’ve got the answer—because among my many other Marvel staff duties at the time, I edited that program book, and I still have Marie Severin’s original sketches showing off two possible designs. (more…)

It felt good to commune with my father yesterday as I typed the opening of his autobiographical manuscript here. So good, in fact, that I’d like to commune some more. Here’s the second installment of what he sent me a few years before his death at 76 on January 27, 2009.

I’m not entirely sure that anyone out there is interested, but feeling him looking over my shoulders (or am I looking over his shoulders?) is doing wonders for ME.

Growing Up and Stuff: An Adventure
Part 2

A few things expanded my universe—clip-on roller skates and bicycles. We started to grow up, discovering ourselves and girls. The games changed to Post Office and Spin the Bottle, and some of this girl stuff without playing any games at all.

Then there would be guy talk. When I got older, I found that gal talk was twice as vivid and left very little to the imagination. So much for the guys who thought they knew it all.

Then, of course, came time to break from those guys on the block and seek another group that was a little more interested in girls and less in a good game of stickball.

I was standing in line in Gym at Seth Low Junior High School when I first met Eddy. He already shaved and had a five o’clock shadow. With these few words we started a long friendship: “I’ve got a date and need a few more guys for her girlfriends.”

Eddy was always the romantic and could find girls anywhere. It led to many adventures and helped mold my teenage experience, and also gave me a group of guys to hang out with.

So I became part of a group that ventured out of my world of the block. We went off chasing Eddy’s love interests and having a great time. We expended this to other boroughs after we got into High School.

We discovered Boro Park, a short ride on a bus for us. It became the place to be for the next few years.

In the summer, it was Boro Park at night and Coney Island or Brighton Beach during the day. How could a guy go wrong? We were on this happy trip and growing into our upper teens. (more…)

Two weeks from tonight, I’ll be laying my head to rest in Toronto, because from April 8-11 I’ll be attending Ad Astra. I gave you my rough schedule earlier in the week, but now that the committee has finalized things—including giving the date and time for my reading—I figured I should update you.

Here’s where you’ll be able to find me up in the Great White North:

Opening Ceremonies
Friday, April 8, 7:00 p.m.

Using Conventions To Your Advantage
Friday, April 8, 9:00 p.m.
Conventions can be important venues for writers to meet editors and publishers. Hear stories from professionals in the field on how-to and how-not-to use your con experience to network.
(with Ian Keeling and Justine Lewkowitz)

GoH Hour
Saturday, April 10, 11:00 a.m.
(with Kathryn Cramer and Elisabeth Vonarburg)

The Walking Dead
Saturday, April 10, 12:00 p.m.
Discuss the television adaptation of the graphic novel series The Walking Dead.
(with Colleen Hillerup, Ian Keeling and Mandy Slater)

Autograph session
Saturday, April 10, 3:30 p.m.

Why Professionalism Matters
Sunday, April 11, 11 a.m.
Writing is an art, but publishing is a business. How writers and artists should act, and what they need to understand when trying to sell their work.
(with Ziana de Bethune, Adrienne Kress, Matt Moore, Mandy Slater, Howard Tayler and Gregory Wilson)

Reading
Sunday, April 11, 12 p.m.
(with Matthew Johnson)

And if any of you who’ll be there have suggestions or requests for which of my stories I should read during my shared hour Sunday with Matthew Johnson, please let me know!

A few years before my father died on January 27, 2009 at age 76, he sent me a manuscript he’d written about his life growing up in Bensonhurst, Brooklyn. I’m missing him, and since I’m in the mood to feel his presence for awhile, I pulled out those pages and started to read. But because I’d like to feel him flowing through me for a bit, I’m going to retype some of it here. I could simply scan it to share—that would certainly be much quicker—but it wouldn’t bring him back quite as strong.

So here is what my father thought important enough to want to tell us. On the front of the yellow folder he sent me was written, “My Long Story,” but inside, he titled what he’d written:

Growing Up and Stuff: An Adventure

I grew up in Brooklyn. You have to understand the sound of the way we talked in Brooklyn. It was rough to the ear, and had its own unique sound. You’ve probably heard someone try to talk the talk of a kid from Brooklyn. They either come close or miss by a mile.

To me, it was a sweet sound, and never having been away from Brooklyn at the time, I had no idea that we sounded different. That is, until I began to travel and heard some very distinctive accents. Have you ever heard someone in Scotland try to imitate a Brooklyn accent?

All over the world, kids play in parks, playgrounds, backyards, and schoolyards. But for us at that time in Brooklyn, it was the streets, close by our houses. Our block was our playground. It was our own safe little universe.

Getting up a game on our block was easy. You’d meet up out on the street and in no time, you could get up a game of touch football. You have to understand that this was all before any formal leagues of any sort had been formed, in our area anyway, long before anything like Little League or anything like it.

It didn’t matter if it was winter or summer. If you were a young, adventurous kid growing up in Brooklyn, the streets were your playground.

The cold winters held the thoughts of snowball fights and ice-skating, maybe a sled ride down a driveway. Or if you were lucky, you could make it over to one of the parks.

The warm summer and long daylight hours helped when you were exploring your youthful needs on the streets of Brooklyn. (more…)

Because one taste of Steve Gerber isn’t enough—at least, not for his true fans, of which I suspect there are many of you out there—here’s an additional chunk of my 1975 interview with him which had somehow gotten separated from the first part.

This section is entirely about his plans for Crazy magazine, which he had just taken over as editor. The sound quality on this section isn’t the best, but if you love Steve you’ll be willing to put up with it.

Those of you who do struggle through will hear him discuss how his (then) year and a half of therapy qualified him to edit the humor magazine, why he got the gig in the first place, how he once thought he might go into television until he realized he was too ugly, and more.

And near the end, you’ll also get to hear a few (insulting) words from Don McGregor.

In 1975, I interviewed Steve Gerber, as I’d interviewed so many of Marvel’s writers when I worked there and (among other things) edited FOOM, the company’s fan magazine. I’d decided that rather than have a standard news section on oncoming comics, I’d print edited transcripts of the writers talking about what was around the corner, so readers would get a taste of creator personalities as well.

So here’s Steve talking about Crazy magazine as well as his work on Man-Thing and The Defenders in the only surviving tape from those years. Parts of this interview appeared transcribed in FOOM #9, the March 1975 issue.

And once more I ask myself—Did I really sound like that? I am forced to admit that I did. How did those of you who knew me then ever put up with me?

Back in 1975, while on staff at Marvel Comics, I edited the company’s official fan magazine, FOOM. One of the things I did as editor was to change the format of the news section. Rather than just running unadorned information, I decided I’d print interviews with the various writers and editors about what was upcoming on their titles. That way the fans would not only get facts, but also an insight into Bullpen personalities.

Some of those interviews were more successful than others.

As you’ll hear in the clip below—if you can even make out what I’m asking through the thick Brooklyn accent I had back then—my inability to get anything useful out of Archie could just as easily have been the fault of my goofy questions as anything else.

Keep listening for a special guest star—because the brief clip includes an even briefer cameo by Marv Wolfman.

And if you happen to remember why I would have made a joke back then about out-of-work police officers, please let me know—because I remember nothing!

(Thanks to Alan Light for the use of the photo I married to my audio. It’s a 1982 pic with a 1975 voice, but I hope you won’t find it too jarring.)

I’ll be in Toronto April 8-11 to attend Ad Astra. I was Editor Guest of Honor there in 2000, and for its 30th anniversary year, the con is trying to get as many previous GOHs to attend as possible.

Complete programming details are still being ironed out, but here’s what I know so far:

Using Conventions To Your Advantage
Friday, April 8, 9:00 p.m.
Conventions can be important venues for writers to meet editors and publishers. Hear stories from professionals in the field on how-to and how-not-to use your con experience to network.
(with Ian Keeling and Justine Lewkowitz)

The Walking Dead
Saturday, April 10, Noon
Discuss the television adaptation of the graphic novel series The Walking Dead.
(with Colleen Hillerup, Ian Keeling and Mandy Slater)

Why Professionalism Matters
Sun, April 11, 11 a.m.
Writing is an art, but publishing is a business. How writers and artists should act, and what they need to understand when trying to sell their work.
(with Ziana de Bethune, Adrienne Kress, Matt Moore, Mandy Slater, Howard Tayler and Gregory Wilson)

I’ll also be doing a reading, date and time still to be decided.

If you’ll be there, I look forward to seeing you. And if you won’t be there … why not?

I interviewed Isaac Asimov on November 7, 1972—Election Day—for my high school alternative newspaper, Kong. When I ran across the tape last year, I discovered to my horror that three years later, I’d recorded over the first 31 minutes of that tape with a second interview, this one with Steve Gerber. So all that remains of my Asimov interview are these concluding five minutes.

Please don’t hate me … but you’re free to hate the impetuous 19-year-old me who reused the tape!

The photo embedded on the video below shows us in Doubleday’s Park Avenue offices. Isaac is wearing his traditional bolo necktie. Unfortunately, I can be seen wearing a puka shell necklace, which I guess I thought was cool back when I was 17.

We discuss the sexual aspects of The Gods Themselves, the number of typewriters he owns, his advice for breaking into the business, and more.

I’m the one who asks the first complete question about the collection The Early Asimov, and it’s Asimov, of course, who answers. The third voice is that of high school classmate Eric Shalit.

Last night, looking to rest my brain after a heavily wired day, I pulled out my bound volume of the July-October 1898 issues of Frank Leslie’s Popular Monthly. About as far as you could get from science fiction, right? You’d think so. But mixed in with articles on “The Irish People at Home” and “The Jews of the United States” was an advertisement in which Jules Verne tells us that “Vin Mariani prolongs life, it is wonderful.”

And the father of science fiction isn’t the only notable to urge us to take a sip of “the popular tonic” that is proclaimed to be “nourishing, strengthening, refreshing.” Also recommending the drink are the man who exonerated Dreyfuss (Emile Zola), the author of The Three Musketeers (Alexandre Dumas), the composer of “Ave Maria” (Charles Gounod), and the designer of the Statue of Liberty (Bartholdi)!

Why, so amazing is this beverage that it’s recommended “For Overworked Men, Delicate Women, Sickly Children.”

Since I’d never heard of this miracle elixir before, I decided to learn a bit about Vin Mariani, which turned out to have been created in 1863 and (as I should have expected) was “made from Bordeaux wine treated with coca leaves.”

In fact, at first it contained 6 milligrams of cocaine per fluid ounce of wine, but when exported to the U.S., that was raised to 7.2 milligrams per ounce.

No wonder it is “recommended by all who try it”!