{"id":4721,"date":"2009-04-11T09:18:04","date_gmt":"2009-04-11T13:18:04","guid":{"rendered":"http:\/\/www.scottedelman.com\/?p=4721"},"modified":"2011-12-17T19:31:56","modified_gmt":"2011-12-18T00:31:56","slug":"can-you-recognize-this-face","status":"publish","type":"post","link":"https:\/\/www.scottedelman.com\/wordpress\/2009\/04\/11\/can-you-recognize-this-face\/","title":{"rendered":"Can you recognize this face?"},"content":{"rendered":"<p>The Spring 2009 issue of <i>The Paris Review<\/i><\/a> includes a series of collages by famed poet John Ashbery. Evidently, he became fascinated by the collage concept during his years as a student at Harvard in the 1940s, and returned to the form in 2008. The magazine prints a dozen recent examples of these, 11 inside, and one on the issue&#8217;s cover.<\/p>\n<p>Dan Chiasson, who wrote a brief introductory blurb to explain what we&#8217;re about to see, delves into the symbolism of these collages.  He says:<\/p>\n<blockquote><p>&#8220;The background elements often depict possible pasts: people on go-carts, a scene in Rotterdam of men in bowlers, and the teetering, top-heavy trucks of the twenties. The foreground elements seem to express elation or relief at having escaped those pasts to make the art he has made and keeps making.&#8221;<\/p><\/blockquote>\n<p><a href=\"https:\/\/www.scottedelman.com\/wordpress\/wp-content\/uploads\/2011\/12\/JohnAshberyCollage1.jpeg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.scottedelman.com\/wordpress\/wp-content\/uploads\/2011\/12\/JohnAshberyCollage1-300x228.jpg\" alt=\"\" title=\"JohnAshberyCollage1\" width=\"300\" height=\"228\" class=\"aligncenter size-medium wp-image-4722\" srcset=\"https:\/\/www.scottedelman.com\/wordpress\/wp-content\/uploads\/2011\/12\/JohnAshberyCollage1-300x228.jpg 300w, https:\/\/www.scottedelman.com\/wordpress\/wp-content\/uploads\/2011\/12\/JohnAshberyCollage1.jpeg 569w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p>Symbolism is all well and good, but if you look at the color component of the collage above, you&#8217;ll note that Ashbery didn&#8217;t just use <i>any<\/i> foreground element. That man with his hands over his ears was taken from one of the most famous pieces of comic-book art ever published.<\/p>\n<p>Do you recognize him? I may be the only regular reader of <i>The Paris Review<\/i> who could identify him immediately, but I&#8217;m sure that in this venue, I&#8217;m not the only one.<\/p>\n<p>You&#8217;d think the source would be worth mentioning in any interpretation of the meaning of this collage. I chalk this up to another case of those concerned with supposed &#8220;high culture&#8221; failing to be aware of supposed &#8220;low culture.&#8221; Because the origin of that image matters, whether or not <i>The Paris Review<\/i> or Ashbery scholars acknowledge it.<\/p>\n<p>I could say more about why that particular man is so important, but I don&#8217;t want to spoil it for those of you for whom that image doesn&#8217;t cause an immediate &#8220;I know that face!&#8221;<\/p>\n<p>So&#151;a show of hands please. Who out there can recognize that famous face? Many of you, I hope, or else I&#8217;ll be severely disappointed.<\/p>\n<p>A simple yes or no will do to start, so you don&#8217;t spoil it too quickly for the puzzled.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Spring 2009 issue of The Paris Review includes a series of collages by famed poet John Ashbery. Evidently, he became fascinated by the collage concept during his years as a student at Harvard in the 1940s, and returned to the form in 2008. The magazine prints a dozen recent examples of these, 11 inside, [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[18,124,123],"class_list":["post-4721","post","type-post","status-publish","format-standard","hentry","category-uncategorized","tag-comics","tag-john-ashbery","tag-paris-review"],"_links":{"self":[{"href":"https:\/\/www.scottedelman.com\/wordpress\/wp-json\/wp\/v2\/posts\/4721","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.scottedelman.com\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.scottedelman.com\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.scottedelman.com\/wordpress\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.scottedelman.com\/wordpress\/wp-json\/wp\/v2\/comments?post=4721"}],"version-history":[{"count":0,"href":"https:\/\/www.scottedelman.com\/wordpress\/wp-json\/wp\/v2\/posts\/4721\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.scottedelman.com\/wordpress\/wp-json\/wp\/v2\/media?parent=4721"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.scottedelman.com\/wordpress\/wp-json\/wp\/v2\/categories?post=4721"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.scottedelman.com\/wordpress\/wp-json\/wp\/v2\/tags?post=4721"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}