{"id":34958,"date":"2024-03-22T09:31:15","date_gmt":"2024-03-22T13:31:15","guid":{"rendered":"https:\/\/www.scottedelman.com\/wordpress\/?p=34958"},"modified":"2024-07-07T13:21:19","modified_gmt":"2024-07-07T17:21:19","slug":"julie-phillips","status":"publish","type":"post","link":"https:\/\/www.scottedelman.com\/wordpress\/2024\/03\/22\/julie-phillips\/","title":{"rendered":"Join biographer Julie Phillips for J\u04d3gerschnitzel in Episode 221 of Eating the Fantastic"},"content":{"rendered":"

I first met this episode\u2019s guest, Julie Phillips<\/a>, in the dealers room of the 2006 Los Angeles Worldcon, where I was introduced by Gordon Van Gelder, her editor on James Tiptree, Jr.: The Double Life of Alice B. Sheldon<\/em>. That biography had been out only a few weeks by then, and it would go on to win the National Book Critics Circle Award, the Hugo and Locus Awards, and the Washington State Book Award. It\u2019s a truly magnificent achievement, and if you haven\u2019t already read it, you should track it down immediately. Once you do, you\u2019ll understand why I’m anxiously awaiting her next biography — of the great Ursula K. Le Guin. <\/p>\n

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Her most recent book is The Baby on the Fire Escape: Creativity, Mothering, and the Mind-Baby Problem<\/em> (2022). Her articles have appeared in The New Yorker<\/em>, Ms.<\/em>, The Village Voice<\/em>, Newsday<\/em>, Mademoiselle<\/em>, and many other publications. She currently lives in Amsterdam, where she reviews books for 4Columns.org<\/em><\/a> and writes about English literature for the Dutch daily newspaper Trouw<\/em>.<\/p>\n

When I learned the Washington County Museum of Fine Arts had asked her give the kickoff lecture of its More than Muses Weekend in nearby Hagerstown, Maryland, I reached out to see whether she had time to break bread so I could share her wisdom with you. And I’m so pleased she agreed. We met for lunch the day after her presentation at Schmankerl Stube Bavarian restaurant<\/a>, one of my favorite places to eat in Hagerstown.<\/p>\n

We discussed why she called The Baby on the Fire Escape<\/em> “a weird hybrid monster of a book,” the one thing she regrets not researching more thoroughly for her Tiptree bio, the reason there’s more space for the reader in a biography than a memoir, why some children of artistic mothers can make peace with their relationships and others can’t, the three things she felt it important to squeeze into the seven minutes she was given to speak at Ursula K. Le Guin’s memorial service, her writing method of starting in the middle of a book and working out toward both ends, the occasional difficulty of withholding judgement on one’s biographical subjects, the relationship between biographer Robert Caro and editor Robert Gottlieb, plus much more.<\/p>\n

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Here\u2019s how you can join us at Schmankerl Stube Bavarian restaurant<\/a> — <\/p>\n

1) Subscribe at Apple Podcasts<\/a> — or wherever<\/a> you choose to consume your podcasts — where I hope you’ll be tempted to sample a few of the 220 previous episodes.<\/p>\n

2) Listen via the RSS feed of http:\/\/eatingthefantastic.libsyn.com\/rss<\/a> on the device of your choice.<\/p>\n

3) Or simply use the embed below.<\/p>\n