Turns out that the first story I wrote once I got back in the groove again at the beginning of 2014 will also be the first story of mine published in 2015—a 13,000-word tale titled “Becoming Invisible, Becoming Seen,” which will be out later this month in the quarterly horror magazine Dark Discoveries.

Editor Aaron French revealed the cover today over on Facebook, and as you can see from that list of names, I share the issue with an amazing group of writers.

Here’s what Aaron about to say about the contents of Dark Discoveries #30 —

The theme of this issue is Sinister Appetites and includes both erotic and non-erotic forms of desire and lust. Brand new stories from Storm Constantine, Scott Edelman, Ray Garton, John Everson, Cecilia Tan, D. Harlan Wilson, and Erinn Kemper. Also a great article on Robert Aickman by Lawrence C. Connolly and a piece on Aleister Crowley’s dark fiction by Donald Tyson. Plus awesome new columns from Gary A. Braunbeck, Yvonne Navarro, Michael Collings, Robert Morrish, and Richard Dansky, and the next comic installment by Patrick Freivald and Joe McKinney. New artwork from Steve G Santiago, Greg Chapman, and Luke Spooner as well. Plus so much more!

You can advance order a copy here. And if you do, be sure to let me know what you think of my story!

Back in May, I told you about the upcoming publication of a new Spanish-language printing of editor James Lowder’s anthology The Book of All Flesh, titled El libro de los zombies. It was to contain my short story “Live People Don’t Understand,” which would appear under the title “Los vivos no lo comprenden.”

Well, that book’s now out, and can be ordered here. (At least I think it can—my Spanish is nearly non-existent.)

If you like the story of mine that appears there, thank translators José Luis Viruete and Gustavo A. Díaz—because they’re likely more responsible for your enjoyment than I am!

I can’t read, write, or speak in Spanish, but if you’d like to read one of my zombie short stories in that language anyway, you’re in luck. A new Spanish-language printing of the anthology The Book of All Flesh, titled El libro de los zombies, will be out shortly from Edge.

James Lowder edited the original book, which had its first English-language edition in 2001. My Thorton Wilder-inspired short story “Live People Don’t Understand” appears there as … “Los vivos no lo comprenden.”

Please let me know whether, thanks to translators José Luis Viruete and Gustavo A. Díaz, I read better in Spanish than I do in English.

I sure hope so. I need all the help I can get!

If you’d like to begin reading a quartet of undead tales right now, then why not check out the new ebook A Clutch of Zombies, assembled by Stephen Jones from stories previously reprinted in his Best New Horror anthologies?

And, oh, will you look at that? One of those stories is mine!

If you’re not already familiar with “What Will Come After” from its first appearance in my collection of the same name, now’s your chance to catch it in the company of zombie stories by Joe R. Lansdale, Albert E. Cowdrey, and Karina Sumner-Smith.

A Clutch of Zombies seems to be available everywhere, including iTunes and kobo, so … what are you waiting for?

I spent yesterday at Balticon, doing a shared reading with Danielle Ackley-McPhail and John Mierau (you can see me and John in Adam Corbin Fusco‘s photo below) and taking part in a panel on The Walking Dead, in which we compared the two seasons so far and speculated on what’s to come in season three. We also gave our opinions as to how long the series would last and theories as to how it would end.

While at the con, I broke bread with Karen and Charlie Newton, Sandy and Risa Stewart, and Patrick Darby, and chatted with the rest of the usual Balticon suspects.

I find myself surprisingly worn out from having spent one day at what I generally consider a relaxicon, especially since last weekend’s Nebula Awards, at which far more partying and schmoozing went on (as captured below by James Patrick Kelly), didn’t leave me a fraction as tired. John Ordover speculated over on Facebook that I’m older now, but … by one week?

Am I deteriorating that quickly?

And that word “deteriorating” makes me think of zombies again, so I’ll toss out what I’d presented yesterday as my thoughts on how The Walking Dead would come to a conclusion, which should only be read by those who don’t care whether I might accidentally spoil something for you. (more…)

Over at the Night Land Journal, my short story “What Will Come After” was praised as the result of its recent reprinting in Stephen Jones’ latest best horror of the year anthology:

One of the most unusual zombie stories I’ve ever read is Scott Edelman’s “What Will Come After,” which I just read as the lead story in The Mammoth Book of Best New Horror #22 …

“What Will Come After” got under my skin and into my blood faster than any zombie virus ever could. It’s a live human and undead zombie story all mixed together. Actually, it’s more of a meditation on inevitability than anything else. I found it both frail and strong at the same time—all very affective and certainly unforgettable.

If you can’t find a copy of The Mammoth Book of Best New Horror #22, you can always catch up with the story in my all-zombie collection of the same name, either in a print edition or as an ebook.

The review is credited only to “DC5,” so I don’t know quite whom to thank, so whoever you are, all I can say is—you’ve got … BRAINZ!

2011 is over and done with, so I thought I’d look back and see which of my posts were read the most last year.

One thing that’s clear is you’re all as interested in the issues raised by those Sharon Moody paintings of comics books as I am—my initial commentary on the matter was my most-clicked post of the year (almost virally so), and 3 of the top 10 posts were directly related to the case. (Which means you’ll want to check back in a week after I see the paintings in person Saturday.)

Here are the stories you read the most:

1. A few words in defense of Jack Kirby, Sal Buscema, Irv Novick, and other anonymized artists

2. Optometrist says blonde drivers “much more dangerous” than brunettes

3. Win $200 by making my zombie play into a mini-movie

4. Brian Bolland’s brilliantly blistering rebuttal

5. A few further thoughts on the artwork of Sharon Moody

6. It’s not too late to attend last weekend’s Nebula Awards

7. Can you identify this romance comic?

8. My favorite photo from San Diego Comic-Con: Pat and Dick Lupoff

9. Can you recognize this face?

10. Wall Street architect literally occupies Wall Street in 1931

Back in August, I announced a competition inviting people to create movies of at least three minutes in length from any section of my Shakespearean zombie play “A Plague on Both Your Houses.” The clip could be in any style—live action, claymation, puppets, whatever. The winner of the Blow the Top of Scott Edelman’s Head Off Really Cool Zombie Filmmaking Competition would get $200, plus a signed hardcover copy of my zombie collection What Will Come After.

I’d planned to announce the winner during the World Fantasy Convention, but the all day/all night schmoozing took so much out of me that I didn’t have the brain left to draft this announcement. Now that I’ve recovered (sort of), I’m pleased to share the news that the winning entry was submitted by Drake Tucker of Phase2Films.

That entry, embedded below, was far more ambitious than I expected. Tucker and gang chose to film a populous and complex scene—the masked ball at which Carlo, the living son of the Mayor of New York City, first meets Dolores, the daughter of the King of the Zombies. The submitted piece has a post-apocalyptic Road Warrior vibe to it, yet also made me laugh in places. Plus I loved the choice of how they conveyed Dolores’ undead manner of speaking.

My hat—or should I say, the top of my head—is off to you! Congrats!

A couple of months ago, I announced a competition to blow the top of my head off by creating a short clip based on my Stoker-nominated zombie play “A Plague on Both Your Houses,” with three winners to be unveiled at World Fantasy Con at the end of this month. The clip of no less than three minutes in length can be in any format—live action, animation, marionettes, claymation, kinetic typography, sock puppets—and it’s not too late to submit yours.

So if you’ve been thinking of picking up a Flip cam and giving it a try, check out all the info here. You’ll note that I said entries had to be submitted by this Saturday the 15th, but as I’m the only judge, and it won’t be necessary to coordinate extensive debate, I’ve decided to extend that another 10 days to October 25th, the Tuesday before World Fantasy. So if you’ve been thinking of entering, there’s still time! What else do you have to do the next two weekends?

And just to give you an idea of your competition, check out this ambitious entry from Drake Tucker and his frightening friends.

What are you waiting for?

My zombie play “A Plague on Both Your Houses“—think Night of the Living Dead crossed with Romeo and Juliet—has never been performed, save for a star-studded reading during the 1998 Stoker Awards weekend. And by performed, I simply mean that since the work was on the final ballot that year, and all nominees got a chance to read a chunk of their work, and my play wouldn’t have been understood if multiple characters had been read in my voice alone, I dragooned a bunch of my friends on stage to read along with me.

Had you been there, you’d have seen Michael Marano, David Honigsberg, Ed Bryant, Nina Kirki Hoffman, Gordon van Gelder, and others (including me!) as zombies. Well, some of us anyway. Some were the last surviving humans on Manhattan Island in a post-apocalyptic future. But I’ve always wanted something more.

And while discussing the piece at Readercon last month—because people have been reading and talking about it again due to its inclusion in my all-zombie collection What Will Come After—I’ve decided to finally make that something more happen.

Here’s where you come in. I’m announcing the creation of the Blow the Top of Scott Edelman’s Head Off Really Cool Zombie Filmmaking Competition to encourage the creation of short videos based on sections of the play, with the winner (as judged by me) receiving $200 and my undying awe. (Zombie awe should always be undying, shouldn’t it?)

Here are the rules: (more…)