I arrived home from the Reno Worldcon late Monday night, and as you can tell by the absence of recent posts, I failed to live up to Edelman’s Schadenfreude Rule of Convention Reporting, which states that all blogging must occur while a con is still in progress, so you can see what you’re missing while it’s still going on. If you were following me on Twitter or Facebook, you got a taste of the action, but I was just having too much fun to pause to tell you about it here until my return.

Well, now I’m back, and it appears I still don’t (and won’t) have time for a lengthy con report, so these few highlights will have to stand in for the long weekend. Here are my 12 favorite Worldcon moments:

Singing along with Dr. Demento

I started listening to Dr. Demento’s warped radio show in the early ’80s, which is how I first learned about everything from “Fish Heads” to Weird Al. So I made sure to catch the opening night presentation of some of his most-requested songs, which he shared via audio and video clips. He also sang “Shaving Cream” live while hundreds of us in the audience sang along to the chorus, which, you’ll forgive me, had me a little giddy.

Never heard of “Shaving Cream”? Here’s Benny Bell’s original version of it from 1946. Now imagine 500-800 fen (I’m no good at counting crowds) singing along. If you weren’t there, you missed a good time.

Dinner with John Scalzi and Cory Doctorow

After yucking it up with Dr. Demento, I headed off with John and Cory for dinner at the Atlantis Steakhouse, where we dined on aged beef, had a great conversation, and realized that Renovation was the second consecutive Worldcon to be held in a city with legalized brothels. (What’s that? You don’t remember prostitution being legal in Melbourne. Well, it was.)

By the way, we only discussed this hypothetically. No. Really. I mean it. (more…)

I didn’t get to go to the first Worldcon I’d hoped I would. That’s because the first Worldcon I wanted to attend was Dallas in ’73 and the 1973 Worldcon was instead held in Toronto. Which explains a lot. But not everything.

Come to think of it, I didn’t get to the first comic convention I wanted to either. That would have been the 1969 July 4th weekend con run by Phil Seuling at the Statler Hilton Hotel. But my parents didn’t think I was old enough to wander off to Manhattan on my own while they were at a bungalow colony out in the country. So I had to wait until ’70 for what was to be my first con of any kind.

When I got there, I looked something like in the photo below, which shows me a year later at Seuling’s ’71 con, snapped as I sat in the front row (as always), with Phil at the podium.

But back to my first (almost) Worldcon. I was a supporting member of Dallascon, and I’ve got the membership card to prove it, signed by Tom Reamy, chairman of the “Big D in ’73” bid. In addition to the neat card with that wonderful George Barr artwork, I also received copies of The Dallascon Bulletin, more magazine than progress report.

But the Dallas Worldcon bid collapsed, and since I wasn’t in the loop back then (I don’t think I was even aware yet that there was a loop), I have no idea why. (more…)

Renovation—the 69th World Science Fiction Convention—is just around the corner. Where will you be able to find me during the con? (Well, where will you be able to find me officially?)

Here—!

Will Eisner: Pioneering Comics Genius
Thursday, August 18, 12:00 p.m.-1:00 p.m.
Will Eisner had a very long career in comics. Best known for The Spirit, he wrote some early graphic novels, such as A Contract with God.
I moderate Tom Galloway and Stu Shiffman

The Science Fiction and Fanasy Canon within Comics
Thursday, August 18, 4:00 p.m.-5:00 p.m.
What are the essential science fiction and fantasy comics?
with Tom Galloway, David Malki, and Andrew Wheeler

Stroll With The Stars
Friday, August 19, 9:00 a.m.-10:00 a.m.
A gentle, friendly 1-mile stroll with some of your favorite Authors, Artists & Editors.
with Stu Segal, Bill Willingham, Beth Meacham, Karen Anderson, Toni Weisskopf, Gay Haldeman, and Joe Haldeman

Autographs
Friday, August 19, 12:00 p.m.-1:00 p.m.
with Katy Stauber , Ian Tregillis, Eileen Gunn, Michael Capobianco, A. C. Crispin, Dean Wesley Smith, and Kristine Kathryn Rusch

KaffeeKlatsch
Friday, August 19, 5:00 p.m.-6:00 p.m.
with Eileen Gunn, Adam-Troy Castro, and Tim Pratt

Fantasy and Horror in the New Century
What to look for and where to find it on the darker side of literature.
Saturday, August 20, 11:00 a.m.-12:00 p.m.
I moderate John Joseph Adams, Susan T. Casper, Ellen Datlow, and Nick Mamatas

Giving and Receiving Critiques
Many writers participate in writers workshops, but it can be difficult, especially for new writers, to give critiques helpfully and receive critiques gracefully. Experienced workshoppers discuss techniques for critiques.
Saturday, August 20, 12:00 p.m.-1:00 p.m.
I moderate Margaret McGaffey Fisk, Daniel Abraham, Sheila Finch, and Tim Pratt

Crisis Fatigue: The Pros and Cons of Cross-Book Universe-Changing Comic Epics
Almost every year, it seems, the comics world has a major multi-book crisis/civil war/semi-reboot. Is it overused?
Saturday, August 20, 5:00 p.m.-6:00 p.m.
I moderate Tom Galloway, Lenny Bailes, and Brenda W. Clough

Reading
Sunday, August 21 12:30 p.m.- 1:00 p.m.

I look forward to seeing you there!

Since I’ve yet to survive June’s Stoker Awards weekend, or July’s Readercon or San Diego Comic-Con, it seems a bit early to be thinking of August and the World Science Fiction Convention. But luckily, the Renovation committee has been doing that thinking for me.

So here’s where you’ll be able to find me in Reno two months from now. This is only the list of panels, though—readings, autographings, and other solo events are still to come.

Will Eisner: Pioneering Comics Genius
Thursday, August 18, 12:00-13:00
with Tom Galloway and Stu Shiffman

Fantasy and Horror in the New Century
What to look for and where to find on the darker side of literature
Saturday, August 20, 11:00-12:00
with John Joseph Adams, Susan T. Casper, Ellen Datlow, and Nick Mamatas

Giving and Receiving Critiques
Many writers participate in writers workshops, but it can be difficult, especially for new writers, to give critiques helpfully and receive critiques gracefully. Experienced workshoppers discuss techniques for critiques.
Saturday, August 20, 12:00-13:00
with Margaret Fisk , Daniel Abraham , Sheila Finch and Tim Pratt

Crisis Fatigue: The Pros and Cons of Cross-book Universe-changing Comic Epics
Almost every year, it seems, the comics world has a major multibook crisis/civil war/semi-reboot. Is it overused? Does it bring in new readers or deter them?
Saturday, August 20 17:00 – 18:00
with Tom Galloway, Lenny Bailes and Brenda W. Clough

Considering what’s going on in the world of DC Comics at the moment, the timing of that last panel couldn’t be better.

See you all in Reno—and at three other cons first!

Back in 2009, I was once again asked to participate in what I’ve grown to think of as the “speed dating” style of workshopping—three beginning writers and three (supposedly) advanced writers locked together in a room for a couple of hours so the beginners could have their work critiqued.

I always used to do it when asked, but had become disenchanted with it for a couple of reasons, the primary one being that knowing how to calmly accept criticism, even when you disagree with it, is something that (for many) isn’t innate. It has to be learned. And unlike with lengthier workshop situations such as Clarion or Odyssey during which there’s time for trust to be earned, in these quickie critique sessions the writer often doesn’t yet know how to hear, or respond to, the message.

As I explained to Oz Whiston why I was going to pass, I added that I didn’t think anyone who wanted to submit manuscripts should be allowed to take part in the WorldCon critique process until he or she sat through a panel on “How to Respond to a Critique of Your Writing.” I said it half in jest, but as soon as the words came out of my mouth, I realized … “Uh-oh.”

That’s right. Oz asked me to go ahead and give that presentation at Anticipation, the 67th World Science Fiction Convention. Which I agreed to do. The room was packed, and the advice seemed well-received, with many audience members tracking me down later during the con to thank me. And that was that.

But lately, I’ve been thinking that some of the info in the presentation might be useful to some beginning writers who weren’t at WorldCon that year. And so I turned my slideshow into an annotated YouTube video.

I’m not entirely sure how something created to be presented to a specific small group of writers who likely hadn’t been professionally critiqued before will play with a wider audience, but since I believe there’s some valuable info here that might be helpful to more than just the people who were in Montreal, here’s a re-creation of that talk.

Though I’ve used every slide, not every spoken tangential aside is in here—after all, I talked for about 45 minutes at WorldCon, whereas in the clip you’re getting a distilled 15 minutes—but I think there’s still enough meat here that I get my point across.

Speaking of points … my wife, in her wisdom, mentioned that rather that creating this clip as a stand-alone presentation on how writers should react to criticism, I’ve instead created a historical document about a presentation I gave previously, and that perhaps it should be reconfigured and couched as, “I’ve been on both sides of this thing for years, and here are some tips on how to cope with rejection” (that is, something valuable for any writing audience) vs. “I gave a presentation a couple of years ago, and for those who missed it, here’s what I said.”

You know … she has a point. And someday, when I have the time, I may revise, expand, and perfect this presentation so it does just that. But for now, I think I’ll let it stand as is. I hope someone out there gets something out of it.

Here, as threatened, is a piece of the Aussiecon4 panel “Write What You Know,” which featured Jack Dann, Kaaron Warren, and Kim Stanley Robinson. As I wrote earlier, I wasn’t at all pleased with the audio quality captured by my iPhone4 as compared with the Flip camcorder I used for the previous con recordings of mine you’ll find over at my YouTube channel. Sadly, regardless of what I’d been told, I just don’t think the iPhone4 microphone was up to the challenge, and so won’t be using it for that purpose in the future.

So my apologies for any straining you might have to do here. But even though this clip doesn’t have the greatest audio, it’s still worth preserving. Hope it’s not too much of a struggle. Turn up those speakers and give it a listen!

While at Aussiecon4 earlier this month, I recorded two panels—”These are not the people you are looking for: race in SF/F” and “Write what you know!” So considering the speed with which I uploaded Readercon video, some of which went live while Readercon was still ongoing, why haven’t I shared snippets of them here yet? Because I was disappointed in the audio quality captured by my iPhone4, and haven’t decided whether it’s worthy of your eyes and ears. Though I may end up posting it, since it’s better to have some record of the event loose in the world than none at all.

I’ve learned my lesson, though. Next time I want to save a con panel, I’ll use my Flip.

Meanwhile, Phillip Lowles had better luck recording a panel I was on, using his HTC Desire running Google Android. So here’s the “Vampire vs. Zombie Smackdown,” in which I’m joined by George R.R. Martin, Foz Meadows, Narrelle M Harris, Felicity Dowker, and Chuck McKenzie.

(more…)

While at Aussiecon4 in 2010, I took part in the “Vampire vs. Zombie Smackdown,” in which I’m joined by George R.R. Martin, Foz Meadows, Narrelle M Harris, Felicity Dowker, and Chuck McKenzie.

Which side won? Once you’ve watched the panel, which is embedded in four parts below, you decide.

(more…)

I’ll be leaving for Melbourne a week from tomorrow to attend Aussiecon 4, and just in case you’ll be there, too, here’s where you’ll be able to find me.

All four of my panels seem to be horror-themed this year, including one at which I’ll stand up for zombies against those annoying vampire-lovers. It won’t be pretty.

Hope to see you there!

But is it horror?
Saturday 1200 Room 212
What is horror fiction and who decides? The authors? The readers? The publishers and editors? The marketers and booksellers? Does the horror genre even truly exist?
with Joshua Bilmes, Ellen Datlow, Richard Harland, Rocky Wood

Monster mash-ups
Saturday 1500 Room 207
Pride and Prejudice and Zombies. Sense and Sensibility and Sea-Monsters. Little Vampire Women. Jane Slayre—it’s open season on the classics as well as the undead. Just what is going on here and where did it all start?
with Darlene Marshall, Chuck McKenzie, Faye Ringel, Damien White

Vampire vs Zombie Smackdown
Monday 1400 Room 204
Two kinds of undead, no holds barred.
Participants on the one hand – Scott Edelman, Rob Hood, Chuck McKenzie.
On the other – Narrelle M Harris, George R. R. Martin, Faye Ringel

Maybe I am too normal to enjoy this book…
Monday 1500 Room 212
Horror authors share the worst things ever said about their work and discuss the context of the outburst. Audience members are invited to share their own worst “critiques”.
with Will Elliott, Deborah Biancotti, Rob Hood, Martin Livings

Here’s a photo that’s not quite as old as the last one, digging only 17 years back in time, to Labor Day weekend of 1993. Sovereign Media co-owners Carl Gnam and Mark Hintz wanted to do something out of the ordinary at ConFrancisco, the 51st World Science Fiction Convention, to celebrate the first birthday of Science Fiction Age, and when we put our heads together, we figured—

Hey, it’s our first birthday! Why not cake?

So they shelled out for enough cake to serve around 2,000 people, part of which you can see below. There were several overflow sheet cakes to feed the ravenous hordes. The rocket ships, which ended up looking a little too much like Hugo trophies for my comfort (since SFA hadn’t actually won any) were made of solid chocolate. Andy Porter walked off with one of them, something he tells me every time I see him. He supposedly still has it in his refrigerator.

I’m holding copies of Science Fiction Age issues #1 (which debuted at the previous year’s Worldcon, MagiCon, held in Orlando, Florida) and #7. (more…)