My latest lunch on which you get to eavesdrop is with John Edward Lawson, the author of 16 books of fiction and poetry, plus numerous chapbooks. His short stories have been collected in such titles as Pocketful of Loose Razorblades, Discouraging at Best, and most recently Devil Entendre, while his poetry can be found in multiple titles, including The Plague Factory, The Scars Are Complimentary, Bibliophobia, and the Bram Stoker Award finalist The Troublesome Amputee.

He’s the founding editor of Raw Dog Screaming Press, which was given a Specialty Press Award by the Horror Writers Association in 2019. He currently serves as vice president of Diverse Writers and Artists of Speculative Fiction, and also manages the Broadkill Writers Resort, which he founded in 2016.

We met for lunch recently on a rainy day in Washington D.C. at Dolan Uyghur restaurant. It was my first taste of Uyghur cuisine, and I was quite impressed, particularly by the hand pulled noodles in my Laghman.

We discussed the birth of the bizarro horror subgenre (and the surprisingly democratic way in which it was named), the reason Alien both repelled and attracted him, how trying to sell screenplays led to him publishing his first short fiction instead, the story of his which was the most emotionally difficult to write, how he won a poetry award only after giving up on poetry, the unexpected gift he was given when starting his own publishing company, his initial doubts about naming his press Raw Dog Screaming, how he survived the 2008 financial meltdown which sank so many small presses, why he loves watching people bicker, the reason he became known as “the forgotten black man of horror,” and much more.

Here’s how you can eavesdrop on our conversation — (more…)

Regular listeners to Eating the Fantastic know that once a year, instead of serving up the usual well-researched one-on-one conversations which make up most of this podcast’s ear candy, I opt for total anarchy, plopping myself down in a heavily trafficked area of a con with a dozen donuts and chatting with anybody who’s game to trade talk for sugar and grease. It’s totally spontaneous, as I never know to whom I’ll speak until they pass by and their eyes light up at the sight of a free donut.

In 2016, you were invited to eavesdrop on the Readercon Donut Spectacular, in 2017 the Balticon Donut Extravaganza, and last year the Nebula Awards Donut Jamboree. Now it’s time for the StokerCon Donut Spooktacular!

Late Saturday night, I sat down with an assorted dozen from The Donut Conspiracy in Grand Rapids accompanied by the usual sign explaining the setup, and found no shortage of willing guests.

Join us as Michael Bailey describes his novel inspired by a fire which turned his home to ashes in seven minutes, Geoffrey A. Landis shares about the Sherlock Holmes/Jack the Ripper horror story he published in the science fiction magazine Analog, Brian Keene explains why he chose last weekend to finally reappear at an HWA event, Wile E. Young tells why he thinks of the Road Runner whenever a story gets rejected, Anton Cancre reveals which guest that weekend earned most of his squee, and Wesley Southard offers his schtick for selling books when stuck behind a dealers table at a con.

Plus Erik T. Johnson gives an unexpected (but perfectly logical) answer when asked about one of the perks of StokerCon, Patrick Freivald looks back on how his horror career began via a collaboration with his twin brother, Josh Malerman recounts how he replaced readings with full blown Bird Box interactive performances and how an audience of 85-year-olds reacted, Asher Ellis shares how the Stonecoast MFA program made him a better writer, Kennikki Jones-Jones discusses her Final Frame award-winning short film Knock Knock, Eugene Johnson celebrates his Bram Stoker Award win that night for It’s Alive: Bringing Your Nightmares to Life, and much, much more!

Here’s how you can dig into those donuts with us— (more…)

Did you listen to the 24-hour Scares That Care Telethon, hosted by Brian Keene and his cohorts from The Horror Show with Brian Keene podcast, which ended at noon today after having raised $21,591 for that 501c3 charity devoted to helping those coping with childhood illness, burns and breast cancer? If not, don’t worry. Because though its content was for the most part livestreamed only, never to be seen or heard again, I’ve got some of it for you right here.

Because once again, Eating the Fantastic invaded!

During last year’s telethon, as captured in Episode 34, I brought BBQ and chatted with that best-selling zombie author himself, while this year I picked up takeout from Viet Thai Cafe for dinner with Mary SanGiovanni.

Mary’s the author of The Hollower trilogy, the first volume of which was nominated for the Bram Stoker Award, plus the recent novels Chills and Savage Woods. Her collections include Under Cover of Night, A Darkling Plain, and Night Moves. She’s also the host of the Cosmic Shenanigans podcast.

We discussed H. P. Lovecraft’s racism and sexuality (or lack thereof), how having grown up in New Jersey might have given her the toughness she needed to survive her early short story rejections, why she ended up writing horror instead of science fiction even though her father read her Isaac Asimov and Frank Herbert when she was a kid, which novella she wrote that will never see the light of day, how watching The Exorcist III changed her life, why she’s no longer afraid of vampires, the reason her motto if she founded a religious cult would be “doorways are meant to be opened,” the first writer she met who treated her like an equal, the identity of “the George Carlin of Horror,” and much, much more.

Here’s how you can help polish off some Pork Pad Thai with us— (more…)

This completely unpredicted, absolutely unanticipated, and totally unexpected new episode—with horror writers Brian Keene, Lesley Conner, Mary SanGiovanni, Damien Angelica Walters, J.P. Sloan, and Eric Hendrixson—is one I had no idea I was going to record until I was about to record it.

Last week, former guest Brian Keene—who can be heard in Episode 34’s career-spanning conversation—tweeted about an appearance he’d be making at Frederick Community College for a panel discussion on publishing and horror. Since Frederick’s only an hour away, I figured I’d drop by. And at the last minute, as I was about to take off early this past Monday afternoon, I thought—hey, why don’t I record the event?

I wasn’t planning to repurpose it here, but I’d thought Brian would perhaps want to use it for his own podcast, The Horror Show with Brian Keene, the podcast on which I’d appeared back in June 2015 which inspired me to create this podcast. So I grabbed my recording equipment before hopping into my Jeep and heading East.

What happened instead was that after all those horror writers were done entertaining a room filled with creative writing students, and I offered the audio file to Brian, he said—you know what, Scott? Since you did the work of recording the panel, you use it. Which I normally wouldn’t and couldn’t do, because my podcast is, after all, Eating the Fantastic, and not Sitting in the Front Row of a Conference Room Listening to Others Talk About the Fantastic.

But luckily, since the group had planned to grab a bite to eat after their  panel before they hit the road, we did get to chat while breaking bread together. I was able to sit with them at a large round table in the Frederick Community College cafeteria, and as we inhaled salads and stromboli, I pushed them to share some of the brutal truths of horror publishing, the ones they didn’t reveal on the panel for fear of crushing the hopes and dreams of young, innocent, beginning writers. Which I hope you’ll feel is a good enough excuse to justify sharing the panel itself as part of the episode before that meal.

So prepare to join Brian Keene (author of more than 40 novels, and winner of the 2014 World Horror Grand Master Award.), Lesley Conner (managing editor of Apex publications and author of the novel The Weight of Chains), Mary SanGiovanni (author of the The Hollower trilogy, whose most recent novels are Chills and Savage Woods), Damien Angelica Walters (Stoker-nominated writer of the short story collection Sing Me Your Scars and the novel Paper Tigers), J.P. Sloan (author of The Dark Choir urban fantasy series), and Eric Hendrixson (bizarro author of Drunk Driving Champion and Bucket of Face) for an fascinating afternoon as they share what they know about the business of writing and publishing horror.

And what did they discuss in what’s became Episode 53 of Eating the Fantastic?

Lesley Conner explained what most writers don’t realize about first serial rights, and why if you can’t take rejection, you should stop now. Mary SanGiovanni compared your social media presence to singing in your underwear, and revealed the dreadful warning Charles L. Grant shared with her about the writing life. J. P. Sloan recommended the small press, while at the same time recommending you watch out, and also advised to be careful about the illusion of access. Brian Keene passed on the the best writing advice he ever got—from Keith Giffin—and told of the time he was willing to walk away from life-changing money. Damien Angelica Walters shared the ways it never gets easier, and why you need to overcome your fear of saying no. And finally, Eric Hendrixson pointed out why contracts are like a superpower, and sketched the hierarchy of what kind of writing is valuable.

Here’s how you can get the details directly from them— (more…)

Some of my favorite moments from last year’s inaugural StokerCon were those spent talking late into the night with William F. Nolan and Dennis Etchison. So when this year’s StokerCon rolled around, I knew I had to capture them both for Eating the Fantastic. You’ve already heard me chat with Bill over Thai food aboard the Queen Mary back in Episode 38 (at least I hope you have). Now it’s time to for you to eavesdrop as Dennis and I dig into a couple of classic dishes at Long Beach’s Chen’s Chinese Restaurant.

Dennis is a writer and editor who’s a three-time World Fantasy Award winner and a three-time British Fantasy Award winner. His 1982 debut short story collection, The Dark Country, is one of the best horror short story collections ever. And you don’t have to take my word for how good he is—some guy named Stephen King has called him “one hell of a fiction writer.”

We discussed how Philip K. Dick staged scenes as he wrote his stories, Ray Bradbury’s baffling advice which helped Etchison make his first fiction sale, whether he’d still have become a writer had he not been an only child, why most writing workshops don’t work, how he came to write his best-selling Halloween novel for John Carpenter in six weeks, the speech he really wanted to give when he received his Lifetime Achievement Award from the Horror Writers Association, and more.

Here’s how you can dig into dumplings with us— (more…)

My zombie novelette collection Liars, Fakers, and the Dead Who Eat Them officially launched aboard the Queen Mary last month during StokerCon, and though sales have been good, the book hasn’t gotten any reviews … until now.

And it’s a good one.

Eddie Generous of Unnerving magazine reviewed the two stories in the collection, and after stating he was “enthralled” by the first, he ended by writing—

These stories are gritty visions of people being people in a time when the dead roam and priorities are in serious flux. The writing is smooth and inviting, colourful and vivid. I am wholly impressed and as far as zombie shorts go, Only Humans Can Lie is the best I’ve ever read.

I couldn’t have asked for a more positive summation.

If you’d like to learn whether you’d agree, why not buy a copy right now?

A few minutes ago, the Horror Writers Association revealed the final ballot for the 2016 Bram Stoker Awards. And while I’m happy for all the nominees, I’m especially happy about one particular nominee—me!

That’s right—my story “That Perilous Stuff” is one of the final five in the category of Superior Achievement in Long Fiction.

Superior Achievement in Long Fiction

Cushing, Nicole – The Sadist’s Bible (01Publishing)
Edelman, Scott – That Perilous Stuff (Chiral Mad 3) (Written Backwards)
LaValle, Victor – The Ballad of Black Tom (Tor.com)
Malerman, Josh – The Jupiter Drop (You, Human) (Dark Regions Press)
Waggoner, Tim – The Winter Box (DarkFuse)

If you’d like to hear me read some of the opening to that story, check out this video recorded at the 2015 World Fantasy Convention in Saratoga Springs.

One reason I’m so thrilled about this nomination is that I’m currently tied—per this screen grab from Locus—with three other writers for the most Stoker nominations without a win. And since none of those three have made the final ballot this year, even if I lose, I’ll still be a winner—for I’d stand alone as the only writer to achieve a record of 7-0.

I’d be the Susan Lucci of the HWA!

We’ll all find out what happens this April at StokerCon. I hope to see you there!

I’ve been sitting on this sale for quite some time because I didn’t want to start spreading the news until all details were worked out, but now it can be told—two zombie novelettes of mine are about to be issued as a standalone volume by Written Backwards—perhaps as soon as the end of August.

Bram Stoker Award-winning editor Michael Bailey—who earlier this year published a story of mine in his anthology Chiral Mad 3—will be putting out Liars, Fakers, and the Dead Who Eat Them, made up of “Only Humans Can Lie” and “Faking It Until Forever Comes” (hence the liars and fakers of the umbrella title).

The cover and interior illustrations are by British Fantasy Award winning artist Daniele Serra. You can take a look at his cover art below. (Note that the type treatment may change between now and the pub date.)

For further info on the project, read Michael’s post. And to find out how to order a copy once it’s available, keep checking the Written Backwards blog. Or return here, of course. Because you know I won’t be able to shut up about it.

This looks to be a good year for fans of my writing—eight new stories should (fingers crossed) see print in 2017. Hope you like them!

Remember when I told you I’d been honored with a sixth Stoker Award nomination, and that whatever ended up happening, win or lose, I’d win?

Well, I did win Saturday.

No, not that way. The other way.

The trophy for Superior Achievement in Long Fiction was taken home by co-finalist Mercedes Yardley, with whom I got into a brawl when I’d spotted her inside a candy store earlier that afternoon. (more…)

Earlier today, the Horror Writers Association announced the final ballot for the 2015 Bram Stoker Awards, and I’m thrilled to see that my story “Becoming Invisible, Becoming Seen” is one of the final five in the category of Superior Achievement in Long Fiction.

Here are the five stories which survived the voting process and are now Stoker nominees.

Gary A. Braunbeck – Paper Cuts (Seize the Night) (Gallery Books)

Lisa Mannetti – The Box Jumper (Smart Rhino Publications)

Norman Partridge – Special Collections (The Library of the Dead) (Written Backwards)

Mercedes M. Yardley – Little Dead Red (Grimm Mistresses) (Ragnarok Publications)

Scott Edelman – Becoming Invisible, Becoming Seen (Dark Discoveries #30)

This marks the sixth time a story of mine has been voted onto a final Stoker Awards ballot. I previously appeared there with— (more…)