This was too, too sad …

I could almost weep.

A review by John Seavey over at fraggmented takes a look at the Scarecrow stories I wrote for Marvel Comics more than three decades ago and finds them wanting.

Luckily, Seavey is so hilarious in his description of the plot that I couldn’t help but laugh.

Besides—when I wrote those comics, I was just a tadpole. He’s probably right about everything!

Here’s my favorite part of his review:

And finally we get “The Scarecrow.” No, no, not that Scarecrow. No, not that Scarecrow either. This is an entirely different Scarecrow, who is … um … he lives in a painting, and there’s this cult that hates him, or maybe he hates them, and he’s getting revenge on them for, um … something, but they want the painting, and there’s a demon, and this guy keeps vanishing, and he’s got the power to … do stuff, I guess, and … it’s all actually more than a little confusing.

There’s more, which you can find here.

Whether he loved them or hated them is almost beside the point. The fact that anyone is still bothering to think about these at all so many years later is flattering enough!

Do you remember where you were over the 1972 Memorial Day weekend? I do!

I spent every hour I could at Manhattan’s McAlpin Hotel attending the 1972 EC Fan Addict convention. I paid my $7.50 entry fee and got to hang out with the madmen (and one crazy lady) behind one of the most amazing comic-book companies ever.

And I have the button to prove it!

Those of you who couldn’t make it to New York back then are able to catch up with a report in the pages of the September 1972 issue of Graphic Story World magazine, one of the high-end fanzines of the day. (And if that cover boy below puts you in mind of Watchmen‘s Nite Owl, well, that’s not him. It’s just … The Owl, a character created by Jerry De Fuccio and Mart Bailey for a potential newspaper strip in the mid-’60s.) (more…)

It’s true! Paul Levitz has left the building. Why, I read it only yesterday.

At least … it seems like yesterday …

Actually, though, he announced his retirement in the 100th issue of his fanzine, The Comic Reader. The Comic Reader started out called On the Drawing Board, which, at the time I started subscribing as soon as I read a mention of it in a DC comic, was being edited by Mark Hanerfeld. But Paul took over in October 1971, and by this issue two years later, dated August-September 1973, he was ready to call it a day.

Here’s the cover of his farewell issue:

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Roger Langridge‘s tribute to the King is the coolest thing I’ve seen all week. But then, since I recognized every reference, I guess I’m the target audience.

Langridge, the creator of Fred the Clown, apparently drew this for a convention program book, and according to his blog will be auctioning off the original for charity.

One of the problems with censorship is that what we can imagine is usually far worse than what’s actually being censored, something which I realized while reading the next graphic novel to be bowdlerized by at patron at my local library. I already told you about what he or she did to Wonder Woman. What was done to the Justice Society of America is even more amusing.

The latest collection to get the Wite-Out treatment is JSA: The Liberty Files, which is a bit ironic, don’t you think? A book with the word “liberty” in the title being censored?

As before, the book is filled with numerous instances of what I assume to be words such as “hell” or “damn” or “Christ” being obscured. But what this censor doesn’t seem to realize is what happens in the mind of a reader when facing such blanks, or as in the case of the page on display, replacements, such as the kind encountered when watching movies which, as the euphemism goes, have been edited for television.

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I’m trying to navigate the mind of a censor, but unfortunately, I’m getting a little lost in there.

I stopped by the Handley Regional Library in Winchester, Virginia this weekend, where I picked up about a dozen graphic novels so I could play catch-up on comics I’d missed. One of them was Wonder Woman: Bitter Rivals, a collection from four years ago (which shows exactly how much catch-up I desperately need to do).

While reading through the book, I discovered dabs of Wite-Out wherever a character might have said “hell” or “damn” or “christ.” I can’t tell for sure what was deleted in any of the panels, because the Wite-Out has been laid on so thick that I can’t make out the original lettering even when I hold the page up to the light. I guess I’d have to track down an unbowdlerized copy of the book to tell exactly what was being censored.

In any case, check out the first word balloon here for an example of what some library visitor did after he or she was offended:

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How would you like to buy a copy of Spider-Man #51 for only 20 cents? Or get a 12-issue subscription to The Fantastic Four for only $1.75? No problem! Just make sure that you have your time machine set to take you back to 1968.

Here are two mimeographed fliers sent out by Marvel Comics and received by me forty years ago, one selling back issues and the other hawking subscriptions. The ink is fairly faded, but if you click on the image several times, you’ll be able to view readable copies.

I got these in the mail on April 26, 1968, presumably because I was a member of the Merry Marvel Marching Society. I know the exact date because I scribbled that information on the back of one of the sheets in the clumsy handwriting of a 13-year-old. I guess that seemed important at the time.

Note that on the subscription flier, someone—maybe even Fabulous Flo Steinberg, perhaps?—had manually crossed out the offer for Ghost Rider subs, since the final issue of that character’s run had been cover-dated November 1967. (That would have been for the western hero, as opposed to the not-yet-invented motorcycle-riding one.)

I remember how, in response to this solicitation, I taped nickels, dimes, and quarters to index cards, mailed the whole sticky mess to 625 Madison Avenue, and waited anxiously for the issues I’d somehow missed. I wish I could do that again!

Don’t you?

The focus of this Sunday’s New York Times Magazine is its annual “The Lives They Lived” feature, which memorializes many of those we’ve lost this year, including George Carlin, Will Elder, Joan Winston, and others.

My favorite component of the issue turned out not to be the words, but rather a single photograph, taken in 1939 of pals Al Jaffee and Will Elder as they yukked it up in their high school cafeteria:

It’s easy to see why they were destined to become part of the “usual gang of idiots” behind Mad magazine. I’d have killed to have lunch with those two guys. They’d have had me snorting milk out my nose in seconds! (more…)

An inordinate amount of attention is suddenly being paid to the Scarecrow stories I wrote for Marvel back in the ’70s, especially considering the lack of attention that was paid to them at the time. The recent reprintings of the tales in the Legion of Monsters hardcover and the Essential Marvel Horror volume two trade paperback has caused a flurry of blogging about those ancient stories lately, such as the comment from Greg Hatcher over at Comic Book Resources this week that “there are moments of real potential in Scott Edelman’s work on the Scarecrow.”

Whether there was or not, that potential remained unfulfilled, as I only ever got to script two issues about the character. But since people are talking about the Scarecrow again, it seems a good time to share some never-before-reprinted art which appeared in Marvel’s UK titles when the stories were reprinted there.

First up, three covers of the weekly black-and-white book The Super-Heroes from the mid-’70s:

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