Listen in as I look back half a century on what it was like being in the room with Len Wein and Dave Cockrum (or as much as I’m willing to admit) as they plotted Giant-Size X-Men #1, why my mid-’70s likeness still hangs on the wall at Marvel Comics HQ, my freelance income during the first six months of my life as a comics professional, the collaborative short stories my friends and I stayed awake 24 hours to write on Harlan Ellison’s 39th birthday, an article I commissioned for F.O.O.M. about collecting comics in 1975 which should make you weep 50 years later, how my meeting with Wicked Witch of the West Margaret Hamilton ended up being a Marvel Comics caption contest, and much more.

You can eavesdrop on all those memories via the embed below or download them at the site of your choice.

Here are some images which will enrich your listening experience, though they probably won’t make much sense without it —

My caricature on the wall at Marvel HQ

Marie Severin’s cover to F.O.O.M. #16
with her caricature of me circled

Call It Fate #1
with the first short story I ever wrote on the cover

(more…)

While rummaging through the detritus of my Marvel Comics years in search of something other than what I’m about to share, I found evidence of a frequent Bullpen pastime—the caption contest.

Somebody would tape a photo to the wall, and everybody else would attempt to write something funny about it. That this was indeed something done frequently can be seen by the fact that whoever filched the photo from me numbered this particular contest 12,439,874,869,710.

So take a look below if you want a small taste of what it was like to work in the Marvel Comics Bullpen of the mid-’70s.

Some of the jokes will only be funny if you recognize the woman with whom I’m posed.

Do you?

I won’t give it away so that those don’t immediately know who she is have a chance to guess based on the captions themselves, but here’s one hint—I met her at a Halloween party run by the National Cartoonist Society, to which I was invited by Bill Kresse.

As you should all have figured out by now, it’s Margaret Hamilton, the Wicked Witch of the West!

And I was very happy to have been her Munchkin that night.

The only time I ever met Paul Fung, Jr., who was the artist on the Blondie comic book for 40 years, he was younger than I am now, and I was 17.

I was attending the 1973 Reuben Awards banquet thanks to friend Bill Kresse, and clueless teen comics fan that I was, I wandered the ballroom at the Waldorf Astoria with a pad and magic markers and asked the artists there—who were far more interested in eating, drinking, dancing, and schmoozing with their friends—for sketches.

Which is how I ended up with drawings of Superman by Curt Swan, Beetle Bailey by Mort Walker, Zonker Harris by Garry Trudeau, and many others … including this one from Fung.

Here’s wishing Paul Fung, Jr., who took the time to be nice to a teen noodge long ago and far away, a happy 91st birthday. May there be many more!

I was saddened to learn via a Facebook post from Tom Heintjes that cartoonist Bill Kresse had died. I met Bill when I was a sophomore attending Brooklyn’s South Shore High School. I was probably around 16 years old, and part of a group of students interested in journalism who toured the New York Daily News.

Here’s what Bill looked like around that time, from when I met up with him the following year at a 75th anniversary celebration of the comic strip held in Central Park.

I no longer remember whether Bill ran the tour or was just one of the many people we met along the way, but for some reason, something clicked with him, me and fellow student Eric Shalit. That tour was the beginning of a relationship that led to Eric and me visiting Bill and his wife Lorraine at their home, my attendance at many National Cartoonist Society events, plus Bill providing art and advice when Eric and I put together an underground magazine at our school.

Bill, who was born on June 17, 1933, inked animation cels at Terrytoons immediately after high school, was a prolific “good girl” artist of the ’50s, and drew for the Archie’s Madhouse comic. I didn’t know any of that at the time, though. I only knew him as the artist and co-creator of Super Duper, a fun comic strip about a bumbling building superintendent which ran in the Daily News for five years. (more…)

Yes, I know Curt is no longer with us, but he would have turned 82 the other day, and since he was THE Superman artist of my youth, I figured I should take note. His is the face of Superman I see when I close my eyes, though you’d think, based on my age, that face could have easily belonged to Wayne Boring.

As far as I know, I only met Curt once, back in 1973 at a National Cartoonist Society Ruben Awards banquet held at the Waldorf Astoria. I was just a fanboy then, my job in the Marvel Bullpen still in the future. I was the guest of cartoonist Bill Kresse, whom I’d met thanks to a high school class trip to the New York Daily News.

I wore a old tuxedo which had belonged to a family friend, and as is true for all fanboys back then, I carried a sketch pad tucked under one arm. And to the embarrassment of my host, I interrupted the artists as they tried to eat their rubber chicken, and asked for drawings. (At least I assume my actions had to embarrass Bill. He never said. Who knows? Maybe he found them amusing.)

Here’s what Curt graciously drew for me. (more…)

Last March, I shared with you a Phantom sketch I got from Sy Barry on September 26, 1971 at a 75th anniversary celebration for the comic strip which was co-sponsored by the Newspaper Comics Council of New York and the New York Daily News. You may remember I also managed to get a sketch of Joe Palooka by Tony DiPreta.

I promised I’d someday post the picture of the crowd that ran in the paper the following day. A picture that included me. Well, someday is now.

Check out the crowd below. Click on the image as many times as it takes to make it as large as possible.

Can you spot me?

Need a hint? I’m wearing the same jacket you see me in here. And in the first image here as well.

Did that help? If not, you might as well give up and content yourself with a look below at the true stars of the day. (more…)

While talking with James Owen at Comic-Con about the many artists who’ve done caricatures of me over the years—it’s amazing what an annoying kid with a sketchpad can accomplish—I happened to mention one drawing by an accomplished EC artist that was less than stellar. I promised to him that I’d share that one here, but before I do, I’d rather post a few more that actually turned out well.

I’ve already told you about my meeting with New York Daily News cartoonist Bill Kresse, which led to my getting a portrait from Joe Papin. Here’s a drawing done by Kresse himself, for the magazine Kong, which was an underground publication classmate Eric Shalit and I started while attending South Shore High School in Brooklyn.

Bill did this drawing to wish us luck, and we published it in our first issue during the summer of 1972. And now it’s become something I wouldn’t have been able to predict a third of a century ago—my newest LJ icon!

Paul Di Filippo and others have been bitten by the Pogo bug recently, sharing this animated cartoon and this Claymation version adapted from Walt Kelly’s classic comic strip.

For those who aren’t old enough or whose memories aren’t long enough, Pogo was yesterday’s Bloom County, though I’m not sure that’s truly a sufficient comparison as far as Pogo’s whimsy and satire are concerned. I guess Pogo truly stands alone.

Back when I was attending Brooklyn’s South Shore High School, I became friendly with artist Bill Kresse, thanks to a school trip to the New York Daily News. He introduced me to other staff cartoonists at the paper, and ended up inviting me to a few National Cartoonist Society banquets, which was Valhalla to a young fan.

One of the many cartoonists I met thanks to Kresse was George Ward, who was Walt Kelly’s assistant on Pogo.

When I headed off to college, some of those cartoonists drew going-away illustrations for me, including Ward, who certainly proved with this image why Kelly trusted him to draw many of the strip’s Sunday pages entirely on his own.

I sure miss Pogo. It would have been great to have seen what Walt Kelly would have made of the current administration. “We have met the enemy and he is us,” indeed!