I’d planned to break bread with award-winning writer A.C. Wise during Balticon earlier this year, and I refuse to let the conversation which would have occurred over that meal be stolen from me merely because COVID-19 prevented the convention from being held in meatspace. So we both got to baking, and now you can eavesdrop as we nibble — she on chocolate zucchini bread and me on cherry pecan bread — and pretend we had the year we wanted instead of the year we got.

Wise is a two-time finalist for the Nebula Award, two-time finalist for the Sunburst Award, and a finalist for the Lambda Literary Award. Plus she’s won the Sunburst Award for Excellence in Canadian Literature of the Fantastic. Her fiction has appeared in Uncanny, Tor.com, Shimmer, and multiple Year’s Best anthologies. Her work can also be found in two collections, The Ultra Fabulous Glitter Squadron Saves the World Again and The Kissing Booth Girl and Other Stories, both published with Lethe Press. Her debut novel, Wendy, Darling, will be out from Titan Books in June 2021, and a new short story collection, The Ghost Sequences, will be published by Undertow Books next August.

We discussed how her first professionally published fiction ended up printed on a coffee can, the 24-hour challenge which led to the creation of her Lambda Award-nominated collection, which comic book character obsesses her the most, how individual stories can act as commentary on all stories, why she enjoys wielding the power of ambiguity, how workshopping with other writers can help make stories better, what The Queen’s Gambit can teach us about dealing with reader expectations, the unexpected way a flash fiction piece turned into her first novel, and much more.

Here’s how you can eavesdrop on our conversation — (more…)

Whenever I attend a convention, there’s always the official con, and then the con away from the con, which typically involves at least one great meal. And that’s the way it was with Capclave, which was just held in Gaithersburg, Maryland. I took part in four panels—three to which I’d previously been assigned plus one I was added to at the last minute to replace a panelist who couldn’t make it.

I enjoyed sharing what wisdom I could on such panels as “Building Your Audience”—which ended with me invalidating all the advice I’d given during the previous hour when I quoted William Goldman’s maxim that “Nobody knows anything”—and “Food In Fiction”—during which I explained why Rene Redzepi uses ants in his New Nordic cuisine.

While I found all of that to be fun—you know me, put a microphone in front of me and I won’t shut up—the most important panel was probably the “Tiptree Retrospective,” which was captured above in a photo taken by Barbara Krasnoff. That’s Jim Freund, Julia Rios, Sarah Pinsker, me, and David Hartwell (who’d been Alice Sheldon’s editor and had actually visited her at home) reminiscing about that great writer in this, the year in which she would have turned 100. (more…)