Staring at the hole in the ground which used to be NYC’s Statler Hilton Hotel, home to my first comic book convention in 1970, has me remembering the time I heckled publisher Jim Warren (and what he shouted back), the original art I bought for a buck a page, why the National Lampoon‘s Michael O’Donoghue doused me with a pitcher of ice water, the reason I was locked in a dealers room overnight, the early morning I was stopped by two NYC police officers while wandering Penn Station in a Mister Miracle mask, and much more.

Listen to my reminiscences of cons more than half a century old via the embed below or download at the site of your choice.

Here are are a few images which I reference during the episode —

16-year-old me at the 1971 Comic Art Convention
I’m on the right in the second image

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The final Eating the Fantastic guest you get to join at the table during the Glasgow Worldcon — following Jenny Rowe, Wole Talabi, Paul Cornell, and Gareth L. Powell — is R. S. A. Garcia.

Garcia won both the Nebula Award and the Theodore Sturgeon Memorial Award for her short story “Tantie Merle and the Farmhand 4200,” published in Uncanny , and was a Nebula finalist the previous year as well for her novella  “Bishop’s Opening,” which appeared in Clarkesworld. She is also the winner of the MIFRE Media Award, and a Sturgeon, Locus, Ignyte and Eugie Foster Award finalist. Her short fiction has appeared in venues such as Escape Pod, Strange Horizons, and Internazionale Magazine, as well as a number of anthologies, including the The Best of World SF, The Best Science Fiction of the Year, and The Apex Book of World SF. 

Her Amazon bestselling science fiction mystery, Lex Talionis, received a starred review from Publishers Weekly and the Silver Medal for Best Scifi/Fantasy/Horror Ebook from the Independent Publishers Awards. Her sci-fantasy duology, beginning with The Nightward, was published by Harper Voyager US in October, plus The Unbearable Taste of Fruit and Wine will be out next Valentine’s Day from Android Press.

We discussed how the idea for her Nebula-winning short story caused her to leap up and walk out of a writing workshop, how editor Ellen Datlow’s advice changed her life, why writing is a verb, not an adjective, the way she decides whether or not to rise to the occasion of a themed anthology invite, her convoluted journey in finding an agent to negotiate her first novel sale even though there was already an offer on the table, why there are some rejections you should be grateful for, how Sigourney Weaver’s role in Alien inspired the sorts of stories she wanted to tell, the Easter eggs in her fiction only a Trinidadian would get, how and why she’s a complete pantser, the importance of community as well as the danger of it disappearing, her hope that readers get even more from her fiction upon rereading,  and much more.

Here’s how you can join us for lunch at Two Fat Ladies at The Buttery — (more…)