Welcome to the first of five Eating the Fantastic episodes recorded during DisCon III, the 79th World Science Fiction Convention, which ended just a few days ago as this episode goes live. That recent event was quite a nostalgia fest for me, because the first time I attended a Worldcon was in 1974, the last time one was in held in D.C. I was only a teenager in that long ago year, but even then, I already knew — getting together with good friends over good food to yammer with them about science fiction was as much fun as anything offered by the official convention programming.

My dinner companion the first night of the D.C. Worldcon was José Pablo Iriarte, a Cuban American author of science fiction, fantasy, and children’s fiction. Their novelette, “The Substance of My Lives, the Accidents of Our Births,” was a finalist for the Nebula Award and was long-listed for the James Tiptree, Jr. Literary Award. Their short fiction has appeared in Lightspeed, Strange Horizons, Fireside Fiction, Daily Science Fiction, Escape Pod, and many other venues, stories which have then been spotlighted on best-of lists assembled by Tangent Online, iO9, and others.

When Jose told me one of his favorite foods was pizza, I knew I had to feed them D.C.’s best, leading me to 2Amys, which Thrillist says prepares “near-perfect, delicate pies with bubbly crusts, fresh mozzarella, and fragrant basil. The Margherita is the baseline against which all Neapolitan pies in DC are judged.”

We discussed their go-to karaoke song, why being a math teacher makes it even harder to write about math, what they learned from Speaker for the Dead, how their feelings about Orson Scott Card help them empathize with those struggling over J.K. Rowling today, why they trunked their favorite story until a friend convinced them to send it out, their method for writing successful flash fiction, why they had no problem keeping their Nebula nomination a secret, how to create a good elevator pitch, and much more.

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This episode’s guest, Bob Budiansky, is a old Marvel Bullpen pal — but our relationship goes back much further than that. We met when we both attended the State University of New York at Buffalo and worked together on the student newspaper The Spectrum. I wrote news and feature stories, while he illustrated many of the articles which appeared in the paper, sometimes as many as three per issue, including, occasionally, mine.

Later, when I was working at mid-’70s Marvel Comics and decided I no longer wanted to edit their line of British reprint books, I got yet another SUNY Buffalo student and newspaper coworker, Jay Boyar, to take my place, and then when he moved on, he recommended Bob. And that serendipity is how his 20-year career at Marvel Comics was born.

Bob’s led a multifaceted comics career as a writer, artist, and editor. He’s written (among other things) The Avengers and all 33 issues of Sleepwalker, a character he co-created, plus most of Marvel’s run of The Transformers, for which he came up with the names of most of the original Transformers, including Megatron. In fact, his contributions to that franchise were so great that in 2010 he was inducted into the Transformers Hall of Fame.

As an artist, not only did he draw Ghost Rider and Prince Namor, the Sub-Mariner, but more importantly (to me, anyway), a Falcon story I wrote which appeared as a back-up in an issue of Captain America. As an editor, he was at times responsible for the Fantastic Four, Daredevil, and Spider-Man.

We had dinner at The Helmand, a Baltimore restaurant which has been serving Afghan cuisine since 1989. I learned about the place from former guest of the podcast Fran Wilde, who introduced it to me during a long-ago Balticon.

We discussed the vast differences between the hoops we each had to jump through to get hired back then, why the Skrulls were responsible for him liking DC better than Marvel as an early comics fan, the serendipitous day he attended a wedding and learned the origin of the Golden Age Green Lantern from its creator, why he stopped reading comics in high school … and how Conan the Barbarian got him started again, which Marvel Bullpen staffer saw his art portfolio and suggested he consider a different career, what it was like to witness the creation of Captain Britain, how got his first regular gig drawing covers for Ghost Rider, his five-year relationship developing 250 Transformers characters for Hasbro, and much more.

Here’s how you can take a seat at the table with us — (more…)