It’s time to return to Dublin for the third of four mealtime conversations recorded during the 77th World Science Fiction Convention, following my dinner last episode with the Nebula Award-winning Lisa Tuttle and lunch with the Hugo Award-winning Cheryl Morgan.

Maura McHugh and I first met during the 2007 Yokohama Worldcon, where I was introduced to her by former guest of the podcast Ellen Datlow as one of the students she’d met at Clarion West, which Maura had attended after receiving the Gordon R. Dickson Scholarship. Her fiction and poetry have appeared in Jabberwocky, Doorways, Paradox, Goblin Fruit, and other magazines. She also writes comics, the most recent of which was The Dead Run, a five-issue Judge Anderson: PSI Division story for Judge Dredd Megazine. In 2015, she won Best Irish Writer of comic books in The Arcade Awards. She also published a book on Twin Peaks: Fire Walk With Me through the Midnight Movie Monograph series from Electric Dreamhouse Press and PS Publishing. Her most recent short story collection The Boughs Withered (When I Told Them My Dreams) launched at the Dublin Worldcon.

Do you notice anything unusual about the photo of Maura from our brunch at Herb Street? Look closely.

I took half a dozen shots of Maura, and did not notice until later in the day that in every one of the images she’d been photobombed by previous guest of the show Sarah Pinsker, who was just finishing up her lunch in the same restaurant with another previous guest of the show, Sheila Williams.

Maura and I discussed how the Clarion Science Fiction and Fantasy Writers’ Workshop sometimes makes people realize they shouldn’t be writers (and why that can sometimes be a good thing), how having lived in both Ireland and the U.S. affected her life and her writing, whether her attraction to dark fiction was ever a choice, what it was like getting to create comics in the Judge Dredd universe, how she decides whether ideas that pop into her head get transformed into comics or prose, her recent art project inspired by the works of Simone de Beauvoir, why she doesn’t speak much about works in progress on social media, what she learned pulling together the selections for her first short story collection, why Twin Peaks fascinated her so much she wrote a book about the show — and much more.

Here’s how you can eavesdrop on our conversation at Herb Street — (more…)

It’s time to return to Dublin for the second of four mealtime conversations recorded during the 77th World Science Fiction Convention, following up on my dinner last episode with the Nebula Award-winning writer Lisa Tuttle.

This time around, you’re invited to lunch with Cheryl Morgan, who’s a four-time Hugo Award-winning science fiction critic and publisher — first as the editor of Emerald City, which won for Best Fanzine in 2004, followed by another for Best Fan Writer in 2009. She has also been the non-fiction editor of Clarkesworld magazine, for which she won her third and fourth Hugo Awards in 2010 and 2011. She is a director of San Francisco Science Fiction Conventions Inc., and a founder of the short-lived Association for the Recognition of Excellence in SF & F Translation. She is a co-chair of Out Stories Bristol and lectures regularly on both trans history and science fiction and fantasy literature. She’s also a Director of The Diversity Trust for whom she run trans awareness courses. She’s the owner of Wizard’s Tower Press.

We snuck away from Worldcon to Mr. Fox, which appeared not only on Eater’s list of the 38 Essential Dulbin Restaurants, but on Conde Nast Traveler’s list of 15 Best Dublin restaurants as well.

We discussed the only science fiction she was allowed to read in school as a kid, why she preferred American Marvel Comics over the British comics of her youth (and how she considers Jean Grey her big sister), the way Dungeons & Dragons made 10 years of her life disappear, how helping out on a Worldcon bid led to her meeting one of the most important people in her life, the reason deciding to go digital infuriated fanzine fandom, the legacy of Ursula K. Le Guin’s The Left Hand of Darkness, how she hid behind the sofa while watching the first episode of Doctor Who (and which was her favorite Doctor), the unfortunate reason she stopped publishing her Hugo Award-winning fanzine, why I’m to blame (in part) for her first encounter with science fiction, whether the Retro Hugo awards do what they’re intended to do, the pre-history of robotics before R.U.R., the difficulties in judging the best translated work — and much more.

Here’s how you can eavesdrop on our conversation at Mr. Fox — (more…)

Welcome to Dublin, for the first of four episodes recorded at the 77th World Science Fiction Convention!

My guest this time around is the award-winning writer Lisa Tuttle, who I caught up with one night after she was done with a 7:30 p.m. reading, which meant that by the time we began our meal it was a later than usual dinner (for me, at least). We hopped in a cab and took off for at Chameleon, an Indonesian restaurant I’d found via Eater’s list of 38 essential Dublin restaurants. The restaurant offers set menus from various regions, including Sumatra and Bali. We decided to go with Java, but added to that some pork belly bao, and the 10-hour Javanese anise short rib of beef, a signature dish of theirs which turned out to be my favorite thing eaten all weekend.

Lisa and I both had wonderful experiences 45 years ago at the 1974 Worldcon in Washington, D.C., me because it was my first Worldcon, she because of winning the John W. Campbell Award for Best New Writer. She’s accomplished a lot in the 4-1/2 decades since, including being awarded the 1982 Nebula for Best Short Story for “The Bone Flute.” She’s published seven short story collections, starting with A Nest of Nightmares in 1986 and most recently Objects in Dream in 2012, plus more than a dozen novels, the first of which was Windhaven (1981), written in collaboration with George R. R. Martin, who was my guest back in Episode 43. She was nominated for an Arthur C. Clarke award for her novel Lost Futures. She edited the pivotal anthology Skin of the Soul: New Horror Stories by Women (1990) as well as Crossing the Border: Tales of Erotic Ambiguity (1998).

We discussed the amusing series of mishaps which prevented her from learning she’d won the 1974 John W. Campbell Memorial Award for Best New Writer as early as she should have, the first thing Harlan Ellison ever said to her, how the all-male table of contents for a major horror anthology inspired her to edit her classic female horror anthology Skin of the Soul, the way emigrating from the U.S. to the UK affected her writing, why an editor said of one of her submitted novels, “I love this book, but I could no more publish it than I could jump out the window and fly,” how she and George R. R. Martin were able to collaborate early in their careers without killing each other, what she’d do if she were just starting out now as a writer, the reasons contemporary acknowledgements sections of novels should be shortened — and so much more.

Here’s how you can eavesdrop on our conversation at Chameleon — (more…)

It’s time to say farewell to Readercon! Which means it’s time for a seafood dinner with Jack Dann, following my burgers with the Nebula Award-winning writer P. Djèlí Clark and an Indian lunch with Bram Stoker Award-winning writer Lucy A. Snyder.

Jack’s an old friend I see far too infrequently ever since he moved to Australia. I was privileged to publish a story of his in Science Fiction Age back in the ’90s, but that’s the least of his accomplishments. His first novel, The Man Who Melted, was nominated for a 1984 Nebula Award, and since then he’s gone on to win a Nebula Award, two World Fantasy Awards, three Ditmar Awards, and the Peter McNamara Award for Excellence. His short story collections include Timetipping, Jubilee: the Essential Jack Dann, and Visitations. His 1998 anthology Dreaming Down-Under (co-edited with his wife Janeen Webb) is a groundbreaking work in Australian science fiction.

He’s also created some amazing stories in collaboration with the likes of Michael Swanwick, Gardner Dozois, Barry Malzberg, and others, and since you know from listening to Eating the Fantastic that collaboration completely baffles me, we dove into a discussion of that as well.

We stepped out to The Chowder House, which has been in operation since 1985, but has a history which goes all the way back to 1920, when Darcy’s Irish Pub opened — and over the decades expanded into a row of family-owned restaurants. It was a comfortable spot, with good food, and the perfect place for us to catch up after far too long apart.

We discussed the novel he and Gardner Dozois always planned to write but never did, how a botched appendectomy at age 20 which left him with only a 5% chance of survival inspired one of his most famous stories, why he quit law school the day after he sold a story to Damon Knight’s Orbit series, the bad writing advice he gave Joe Haldeman early on we’re glad got ignored, the secrets to successful collaborations, the time Ellen Datlow acted as referee on a story he wrote with Michael Swanwick, how it felt thanks to his novel The Man Who Melted to be a meme before we began living in a world of memes, why he’s drawn to writing historical novels which require such a tremendous amount of research, the time he was asked to channel the erotica of Anaïs Nin, the gift he got from his father that taught him to take joy in every moment — and much more.

Here’s how you can eavesdrop on our conversation at The Chowder House — (more…)

It’s time to return to Readercon for another meal with a creator of the fantastic. Last episode, you headed out from that con for burgers with P. Djèlí Clark; this time, we’ll escape for Indian food with award-winning horror writer Lucy A. Snyder.

Snyder’s a seven-time Bram Stoker Award finalist and a five-time winner, including for her first novel Spellbent in 2009, and most recently for her collection While the Black Stars Burn in 2016. She has published more than 80 short stories in Lady Churchill’s Rosebud Wristlet, Strange Horizons, Weird Tales, and more. Her nonfiction book Shooting Yourself in the Head for Fun and Profit: A Writer’s Survival Guide. was published in 2014. She was a Bram Stoker Award nominee at this year’s StokerCon for her collection Garden of Eldritch Delights.

We took off for lunch one afternoon to Punjab Cafe, which has been operating in Quincy since 2000, and is by all accounts the best Indian restaurant in the area. They had a tasty looking buffet option available, but we ordered a la carte instead, because a buffet is definitely not the way you want to go when you’re trying to maintain the flow of a conversation and are both wired to a recorder.

We discussed how Madeleine L’Engle’s A Wrinkle in Time made her want to become a writer, the rare bad advice she got from one of her Clarion instructors, the way Hunter S. Thompson and Truman Capote taught her about consensual truth, how she learned to embrace her uneasy relationship with horror, the time Tim Powers said of one of her early stories that “this is an example of everything that’s wrong with modern science fiction,” why if you want to write flash fiction you should learn to write poetry, what you should consider if you’re starting a new writing workshop, how best to prepare for public readings of emotionally difficult stories, the way she used Kickstarter to continue her Jessie Shimmer series (plus everything you need to know to start your own campaign), what it was like writing in the Doctor Who and X-Files universes, and much, much more.

Here’s how you can eavesdrop on our conversation at Punjab Cafe — (more…)

This year’s Readercon‘s a month in the past, but here at Eating the Fantastic, it’s only just beginning, because it’s time for the first of three episodes I recorded at a con I’ve been attending since 1987.

P. Djèlí Clark won both the Nebula Award and the Locus Award for Best Short Story earlier this year for “The Secret Lives of the Nine Negro Teeth of George Washington” — and is currently up for a Hugo Award not just for that, but for his novella “The Black God’s Drums” as well. His fiction has appeared online at Tor.com, Lightspeed, Fireside Fiction, Beneath Ceaseless Skies, and elsewhere, and in print anthologies such as Hidden Youth and Clockwork Cairo. He is founding member of FIYAH Literary Magazine.

We got together for dinner Friday of the con at Quincy’s Fat Cat Restaurant, which specializes in comfort food like nachos, wings, mac and cheese, and ribs, though they also serve higher end items like duck and ribeye steaks. But our tastes were not quite so upscale that night, so we stuck to chicken quesadillas and burgers.

We discussed his upcoming first novel (the sale of which was announced only days before we spoke), the background which gave birth to his award-winning story “The Secret Lives of the Nine Negro Teeth of George Washington,” the reason The Black God’s Drums switched point-of-view character during his writing of it, what he learned about New Orleans due to an unfortunate encounter with the local police department, how he found success when he switched from writing multi-volume sagas to focusing on shorter forms, his complicated feelings about Ray Bradbury, how being a professional historian helps his writing, our favorite (and not so favorite) episodes of The Twilight Zone, and much, much more.

Here’s how you can eavesdrop on our conversation at Fat Cat — (more…)