This episode’s dinner didn’t come about due to a convention, but rather because I attended another installment of Baltimore’s Charm City Spec reading series, and invited one of the participants, Tobias Carroll, to join me for an early dinner beforehand, the same as I did with Episode 218’s guest Jo Miles three months earlier.

Carroll is the author of the novels Ex-Members, Reel, and In the Sight, the short story collection Transitory, and the nonfiction book Political Sign. His essays and journalism have appeared in The New York Times, InsideHook, Literary Hub, Tor.com, the Portland Press-Herald, Tin House, The Collagist, The Paris Review Daily, Necessary Fiction, Bookforum, The Collapsar, Joyland, and many other publications. He writes a column on notable books in translation for Words Without Borders. Plus he has a podcast of his own — Framed & Bound, in which bookish people discuss movies set in the literary world.

We discussed which punk rock music made him a fan, why his heart belongs to novella-length works rather than massive epics, the artistic motivation for sometimes not giving readers what they’ve been taught to expect, the reason Ann Nocenti’s run on Daredevil was meaningful to him (and why he believes it aged so well), his fascination with deteriorating physical media, why Edward Hopper’s classic painting Nighthawks would have made the perfect cover art for one of his books, how you know when you’ve stuck the landing with a short story, and much more.

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And here’s what loosened our tongues at Tamber’s restaurant —

Naan

Paneer Biryani

Rice

Lamb Korma

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Coming up next — my dinner Alex Jennings, author of The Ballad of Perilous Graves, winner of the Compton Crook Award.

Thanks for listening!