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Sup on scallops with Arthur Suydam on Episode 223 of Eating the Fantastic

Posted by: Scott    Tags:  Arthur Suydam, Eating the Fantastic    Posted date:  April 18, 2024  |  No comment


It’s time to take a seat at the table for the first of two dinner conversations which took place during last month’s AwesomeCon in Washington D.C. — starting with Arthur Suydam, whose professional comics career began when he drew a story published in the May 1974 issue of House of Secrets for DC, right around the time my own comics career started at Marvel editing the British reprint line in June. We somehow never encountered each other as we navigated the comic community of the ’70s, and in fact, we never met until the Saturday of our meal.

After a bunch of those horror stories for various DC titles, Suydam moved on to Epic Illustrated, Heavy Metal, and other publications where he could do the kind of painted work most people know him for today, writing and drawing such features Mudwogs, The Adventures of Cholly & Flytrap, and others.

He’s perhaps most well known for his zombie work — which includes dozens of covers for the Marvel Zombie series and spin-offs — which earned him the nickname of “The Zombie King.” In 2008, Marvel even released a hardcover tribute titled Marvel Zombies: The Covers. His artwork has also appeared in such titles as Batman, Conan, Tarzan, Predator, and Aliens, and his cover art was featured on Ghost Rider, Hellstorm, Moon Knight, Wolverine, Marvel Zombies vs. The Army of Darkness, and many others. He’s also provided noir-ish, retro covers for the Hard Case Crime paperback line.

We discussed the way a lengthy hospital stay resulted in him falling in love with comics, what Joe Orlando said to convince him to start his comics career at DC instead of Warren, the permission he was granted upon seeing the ghastly artwork of Graham Ingels, what he learned from dealing with cadavers during his art student days, how Gil Kane hurt his feelings by chewing out his early work, the grief Frank Frazetta got out of dealing with Mad magazine, the way his work for Epic Illustrated made Archie Goodwin squirm, why Marvel teamed him up with Robert Kirkman for its Marvel Zombies project, his reason for avoiding social media like the plague, and much more.

Here’s how you can join us at Mariscos 1133 —

1) Subscribe at Apple Podcasts — or wherever you choose to consume your podcasts — where I hope you’ll be tempted to sample a few of the 222 previous episodes.

2) Listen via the RSS feed of http://eatingthefantastic.libsyn.com/rss on the device of your choice.

3) Or simply use the embed below.

And here’s what loosened our tongues at Mariscos 1133 —

Lobster and Crab Guacamole

Duo a La Diabla
grilled octopus, grilled scallops, rice, spinach

If you enjoyed this episode and want to support my mission of breaking bread with creators of the fantastic while letting you eavesdrop, there are several ways you can help bring this podcast to the attention of potential new listeners looking for science fiction, fantasy, horror, and comics ear candy —

One is to rate Eating the Fantastic on Apple Podcasts and like it on Facebook.

Also — you could tell your friends about the show by sending them a link to your favorite episode and letting them know what I’m doing here.

Finally — I hope you’ll consider becoming a supporter of Eating the Fantastic, and help this podcast continue.

You could make a small recurring monthly donation over at Patreon, where there are various perks involved depending on your level of support, such as access to a patrons-only blog, getting a shout-out on the show, stickers, postcards, and more.

Or if an ongoing level of commitment’s not for you, or if Patreon’s just not your thing, then consider tossing a couple of bucks in the tip jar instead and making a one-time donation of any size via Paypal.me.

Or you could head on over to https://ko-fi.com/eatingthefantastic and send me the funds to cover the cost of a cup of coffee.

Coming up two weeks from now — my AwesomeCon dinner with Dan Parent, a comic book artist and writer who’s been working for Archie Comics for 35 years, and who in 2010, introduced the company’s first openly gay character.

Thanks for listening!





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