The Science Fiction & Fantasy Writers of America announced the start of its nominations period for the Nebula Awards yesterday, so it’s time for me to do what all the cool kids are doing — remind members of the fiction I published last year.

It was a light year for me, with only two stories seeing print — both of which are under 7,500 words, and therefore eligible in the Short Story category.

And they are —

“The Stranded Time Traveler Embraces the Inevitable”

I’m extremely pleased to be part of If This Goes On, an anthology assembled by Cat Rambo for Parvus Press as a form of resistance against “a world shaped by nationalism, isolationism, and a growing divide between the haves and have nots.” Writing this particular piece helped break me from a period of writer’s block brought on by the results of the 2016 election, and I can think of no better place for it to have appeared.

If you’d rather listen to me read it than read it yourself, check out this video recorded at last year’s Readercon.

“Five Years Later”

“Five Years Later” appeared in the Harlan Ellison tribute anthology The Unquiet Dreamer, edited by Preston Grassman and launched by PS Publishing at the World Science Fiction Convention in Dublin.

While the anthology is a tribute to Ellison, as is the story, the story was not written to ape his style, or attempt to channel the man. Rather, it’s one which I hope would not have seemed out of place in Dangerous Visions.

And that’s it for 2019! As for 2020, I already have four science fiction and horror short stories slated to come out in magazines and anthologies, and I look forward to letting you know about them as they appear.

If you’re a voting member of SFWA and would like to receive copies of either of the stories mentioned above, send me an mail.

Thanks for your consideration!

Eating the Fantastic’s second century begins with the last of three meals you’re getting to eavesdrop on from this year’s Nebula Awards weekend in Los Angeles, following two comic book legends — Gerry Conway in Episode 99 and Mark Evanier in Episode 100.

This episode’s guest is Rachel Swirsky, who’s won some Nebula Awards of her own — for her novella “The Lady Who Plucked Red Flowers Beneath the Queen’s Window” in 2010 and her short story “If You Were a Dinosaur, My Love” in 2013. She’s also been a Hugo Award, World Fantasy Award, and Theodore Sturgeon Memorial Award nominee. She was the founding editor of the PodCastle podcast, co-edited the anthology People of the Book: A Decade of Jewish Science Fiction & Fantasy,  and served as vice president of the Science Fiction and Fantasy Writers of America in 2013.

We got together for brunch the Saturday morning of the Nebula Awards weekend at Lovi’s Delicatessan in Calabasas, California where we chatted over brisket, latke, and of course, cheesecake.

We discussed what it was like to be critiqued by Octavia Butler at the Clarion Science Fiction Writers Workshop, how she learned there’s no inherent goodness in being concise in one’s writing, the generational shift in mainstream literature’s acceptance of science fiction, why she’s an anarchist (though she’s really not), what she learned about writing as a reporter covering pinball professionally, how the things most people say are impossible actually aren’t, why you shouldn’t base your self-worth on your accomplishments, how to deal with writers block and impostor syndrome (and the way they’re sometimes connected), the proper way to depict mental illness in fiction, why whenever she writes erotica it turns out to be depressing, how she survived the controversy over “If You Were A Dinosaur, My Love,” and much more.

Here’s how you can join us at the table at Lovi’s Delicatessan — (more…)

My first meal of the Nebula Awards weekend was with comics legend Gerry Conway, who I’ve known for at least 48 years, since 1971 — when I was a comics fan of 16, and he was 19, and yet already a comics pro with credits on Phantom Stranger, Ka-Zar, and Daredevil. Our paths back then crossed in the basement of the Times Square branch of Nathan’s (which, alas, no longer exists) where the late Phil Seuling had organized a standalone dealers room without any convention programming dubbed Nathan’s Con, which was a test run for his future Second Sunday mini-cons.

Gerry and I have a lot of history in those 48 years, including his time as Marvel’s editor-in-chief when I worked in the Bullpen — though his tenure was only six weeks long, two of those weeks my honeymoon — a tenure you’ll hear us talk about during the meal which follows. He’s the creator of The Punisher, Power Girl, and Firestorm, and wrote a lengthy and at one point controversial run on Spider-Man. But he’s also worked on such TV series as Matlock, Jake and the Fatman, Hercules: The Legendary Journeys, Law & Order, and many others.

At Gerry’s recommendation, our meal took place at the Sagebrush Cantina in Calabasas, California, where I invite you to take a seat and eavesdrop on our longest conversation in 40 years.

We discussed how the comics business has always been dying and what keeps saving it, why if he were in charge he’d shut down Marvel Comics for six months, what it’s like (and how it’s different) being both the youngest and oldest writer ever to script Spider-Man, the novel mistake he made during his summer at the Clarion Writers Workshop, why he’s lived a life in comics rather than science fiction, what caused Harlan Ellison to write an offensive letter to his mother, the one bad experience he ever had being edited in comics (it had to do with the Justice League), the convoluted way Superman vs. Spider-Man resulted in him writing for TV’s Father Dowling Mysteries, how exasperation caused him to quit his role as Marvel’s Editor-in-Chief (while I was out of the Bullpen on my honeymoon), how he’d have been treated if he’d killed off Gwen Stacy in today’s social media world, and much, much more.

Here’s how you can eavesdrop on our conversation — (more…)

Yesterday, the Science Fiction & Fantasy Writers of America announced the opening of the nominations period for the Nebula Awards, which meant all the cool kids immediately started posting lists of their eligible stories. Well, since my 2018 short stories have now all been published—and the recommendations period for the Bram Stoker Awards from the Horror Writers Association is also open—I figured it’s time to collect info about my publications in one place so voting members of those organizations can take them into consideration.

First up, two science fiction tales—

“ The Final Charge of Mr. Electrico”

This 5,800-word, written to honor Ray Bradbury — which some of you might have already guessed based on the title — was published over at Giganotosaurus in January and can still be read there. Or if you’d rather hear me read it, click on the embed below and travel back to this year’s Balticon.

“Opossums and Angels”

This 5,350-word post-apocalyptic story was one of two original tales to appear in my new collection Tell Me Like You Done Before, which was launched earlier this month at the World Fantasy Convention. “Opossums and Angels” is a sequel to both “The Screwfly Solution” and “The Women Men Don’t See,” my two favorite Alice Sheldon stories. But don’t worry — I think it will work for readers with no prior knowledge of her or of either story.

Here’s the horror story —

“It’s Only a Story”

My 5,275-word short tale “It’s Only a Story” was published this month in the anthology Birthing Monsters: Frankenstein’s Cabinet of Curiosities and Cruelties, edited by Alex and Bobbi Scully from Firbolg Publishing. It’s a celebration of Mary Shelley, her Creature, and storytelling itself.

And the fourth of my stories to be published this year is a fantasy —

“The Man Who Wouldn’t Work Miracles”

This 5,325-word tale is the second of two original stories to see print in my new collection Tell Me Like You Done Before. It’s a sequel to the H. G. Wells story “The Man Who Could Work Miracles,” so if you ever wondered what happened next, I may have an answer for you.

If you’re a voting member of either of these organizations and would like to receive copies of any of the four stories above, send me an mail and I’ll shoot whichever you request back at you.

Thanks!

Farewell to Pittsburgh and hello to JY Yang in the sixth and final episode of Eating the Fantastic recorded during this year’s recent Nebula Awards weekend. If you missed the five other culinary chats from that event, check out my dinners with Kelly Robson and Matthew Kressel, lunches with Alyx Dellamonica and Ellen Klages, and the lightning-round Donut Jamboree.

JY Yang is the author of the Tensorate series of novellas from Tor.Com Publishing, which so far includes The Red Threads of Fortune, The Black Tides of Heaven, and The Descent of Monsters, with a fourth still to come. Their short fiction has been published in more than a dozen venues, including Uncanny Magazine, Lightspeed, and Clarkesworld. And not only had The Black Tides of Heaven been on the Nebula Awards ballot that weekend, but it’s also on this year’s Hugo Awards and World Fantasy Awards ballots as well.

In previous incarnations, they’ve been a molecular biologist; a writer for animation, comics and games; a journalist for one of Singapore’s major papers, and a science communicator with Singapore’s Agency for Science, Technology and Research.

We met for Sunday brunch that weekend at Casbah, which offered a Mediterranean-inspired menu filled with comfort food. I’d heard good things about those Sunday brunches, and what I’d heard turned out to be true, because that morning’s braised lamb and eggs was the most umami-filled meal I had all weekend, and probably my favorite dish while in Pittsburgh.

We discussed why they consider themselves “a master of hermitry,” the catalyst that gave birth to their award-nominated Tensorate Universe, why they think of themselves as terrible at world-building, how their dislike of the Matt Damon movie The Great Wall gave them an idea for a novel, the surprising results after they polled fans on which of their works was most award-worthy, their beginnings writing Star Trek and Star Wars fan fiction, why they never played video games until their 30s, the Samuel R. Delany writing advice they hesitated to share, and much more.

Here’s how you can share some scallops with us— (more…)

It’s time to return to Pittsburgh for the penultimate episode of Eating the Fantastic recorded during the recent Nebula Awards weekend. If you want to experience that weekend as I did, check out my two dinners with Kelly Robson and Matthew Kressel, lunch with Alyx Dellamonica, and the chaotic but hopefully entertaining lightning-round Donut Jamboree.

And then move on to this episode’s guest, Ellen Klages, who won the Nebula Award in 2005 for her novelette, “Basement Magic.” Her novella, “Wakulla Springs” (co-authored with previous guest of the show Andy Duncan), was a finalist for the Hugo and Nebula awards and won the World Fantasy Award in 2014.

She won the Scott O’Dell Award for Historical Fiction, the Lopez Award for Children’s Literature, and the New Mexico State Book Award for Young Adult Literature for her first novel, The Green Glass Sea. She has served for twenty years on the Motherboard of the James Tiptree, Jr. Literary Award. Her novella “Passing Strange” was one of the finalists for this year’s Nebula award.

Our venue for this episode was the relatively new Whitfield at Ace Hotel. This was certainly the most picturesque setting for a meal I experienced in Pittsburgh, because the building which housed both hotel and restaurant was a century-old former YMCA.

We discussed why it took 40 years from the time she wrote the first sentence of her Nebula Award-nominated story “Passing Strange” to finish the tale, what a truck filled with zebras taught her about the difference between storytelling and real life, how cosplaying helped give birth to her characters, what she finds so fascinating about creating historical science fiction, why revising is her favorite part of writing, the reason she’s the best auctioneer I’ve seen in my lifetime of con-going, what she teaches students is the worst mistake a writer can make, how her collaboration with Andy Duncan gave birth to an award-winning novella, whether she still feels like “a round peg in genre’s polyhedral hole” as she wrote in the afterword to her first short story collection, and much more.

Here’s how you can taste some of that Toad in a Hole with us— (more…)

Let’s go back to Pittsburgh, shall we? Because it’s time for the fourth of six episodes of Eating the Fantastic I recorded during last month’s Nebula Awards weekend, following the lightning-round Donut Jamboree, my dinner with Kelly Robson a mere 48 hours before she picked up a trophy, and a leisurely lunch with A. M. Dellamonica.

This episode’s guest is Matthew Kressel, whose short story “The Last Novelist (or A Dead Lizard in the Yard)” was one of the finalists this year. He was a previous finalist twice before in the same category for “The Sounds of Old Earth” in 2014 and “The Meeker and the All-Seeing Eye” in 2015. His short stories have appeared in Lightspeed, Tor.com, Clarkesworld, Analog, Interzone, and many others, as well as in anthologies such as Mad Hatters and March Hares, Cyber World, The People of the Book, and more. His novel, King of Shards, was praised by NPR as being “majestic, resonant, reality-twisting madness.”

He was also nominated for a World Fantasy Award for his work editing the speculative fiction magazine Sybil’s Garage, and is the co-host—along with former Eating the Fantastic guest Ellen Datlow—of the Fantastic Fiction reading series held at the KGB Bar.

Our dinner Friday night that weekend was at Pork & Beans, which has been voted best BBQ in Pittsburgh. 

We discussed the story of his accepted by an editor within an hour and then praised by Joyce Carol Oates, the ways in which famed editor Alice Turner was the catalyst which helped turn him into a writer, why after publishing only short stories for 10 years he eventually published a novel, how comments from his Altered Fluid writing workshop helped make his Nebula-nominated “The Sounds of Old Earth” a better story, why a writing self-help book made him swear off those kinds of self-help books, the secrets to having a happy, heathy writing career, why he’s grown to be OK with reading bad reviews, what he learned from reading slush at Sybil’s Garage, and much more.

Here’s how you can dig into that BBQ with us— (more…)

It’s time to return to Pittsburgh for another episode of Eating the Fantastic recorded during last month’s Nebula Awards weekend, following up on my Nebula Awards Donut Jamboree and dinner with Kelly Robson. On the Friday of that event, I snuck away with A. M. Dellamonica for lunch at Senti, which my research told me was one of the best places to go in the city for classic Italian.

Dellamonica‘s first novel, Indigo Springs, won the Sunburst Award for Canadian Literature of the Fantastic. Their fourth, A Daughter of No Nation, won the 2016 Prix Aurora. They are the author of more forty short stories on Tor.com, Strange Horizons, Lightspeed and most recently Beneath Ceaseless Skies. They were also co-editor of the Heiresses of Russ anthology.

We discussed how a long list of random things they liked eventually grew into their first novel, the intricate magic system they created for their series, how their novel Child of a Hidden Sea taught them they were less of a plotter and more of a pantser than they’d thought, the doggerel they wrote when they was five years old (which you’ll get to hear them recite), how discovering Suzy McKee Charnas at age 15 was incendiary, which run of comics made them a Marvel fan, what it was like attempting to live up to the pioneering vision of Joanna Russ while editing the anthology Heiresses of Russ, which YouTube series happens to be one of their favorite things in the world, the way John Crowley’s teachings might have been misinterpreted by their class during the Clarion Science Fiction Writers Workshop, the three mystery novels of theirs you’ll hopefully be reading in the future, and much more.

Here’s how you can dig into some lasagna with us— (more…)

Have you digested last episode’s Nebula Awards Donut Jamboree yet? I hope so, because following up on that lightning-round event, it’s time for the first of five one-on-one interviews over meals with writers recorded during this year’s Nebula Awards weekend in Pittsburgh—starting with nominee Kelly Robson, who 48 hours after we dined at Union Standard, became a winner!

Before winning this year’s Best Novelette Nebula for “A Human Stain,” she was also a finalist for the 2017 John W. Campbell Award for Best New Writer. Her novella “Waters of Versailles” won the 2016 Aurora Award and was also a finalist for the Nebula and World Fantasy Awards. Her short story “The Three Resurrections of Jessica Churchill” was a finalist for the Theodore Sturgeon Award, and her short story “Two-Year Man” was a finalist for the Sunburst Award. Her most recent publication is the time travel adventure Gods, Monsters and the Lucky Peach.

I’d hoped to visit Union Standard shortly after they opened for one of last year’s batch of Nebula Awards weekend episodes, but sadly, it wasn’t to be, so I’m thrilled I was able to host Kelly there. As for the reason why I was so anxious to eat at that restaurant—Chef Derek Stevens has been called one of the foundational figures of Pittsburgh’s culinary boom. In fact, Pittsburgh magazine has written of him—”If you like dining out in Pittsburgh, you should thank Derek Stevens.” If nothing else, I’ve got to thank him for the Jamison Farm Lamb Sirloin with Anson Mills polenta and grilled asparagus—of which Kelly kindly allowed me a nibble.

We discussed how the first Connie Willis story she read changed her brain, the way a provocative photo got her a gig as a wine reviewer at a top national magazine, what she learned from the initial Taos Toolbox writers workshop, why completing Gods, Monsters and the Lucky Peach was like giving birth to a watermelon, how reading a Battlestar Galactica tie-in novel helped teach her how to write, where she would head if time travel were real, why she’s contemplating writing a “frivolous” trilogy (and what that really means), the reason the story of hers she most likes to reread is professionally published James Bond fanfic, and much, much more.

Here’s how you can have a little lamb with us— (more…)

In 2016, Eating the Fantastic brought you the Readercon Donut Spectacular.

In 2017, you were invited to partake of the Balticon Donut Extravaganza.

And now, in Episode 67, it’s time to experience—the Nebula Awards Donut Jamboree!

That’s right—it’s time for another lightning-round episode of Eating the Fantastic as 15 guests devour a tasty dozen—this time from Pittsburgh’s Just Good Donuts— while recounting their favorite Nebula Awards memories.

During the Nebula Awards weekend which ended yesterday, I sat near registration with a dozen donuts and a sign offering a free one to any who’d come on the show to chat about their memories of this annual event, and waited to see what would happen.

Which is how I ended up listening as Michael Swanwick explained how his love of Isaac Asimov impelled him to walk out on guest speaker Newt Gingrich, David D. Levine remembered catching the penultimate Space Shuttle launch, Daryl Gregory recalled the compliment which caused him to get yelled at by Harlan Ellison, Barry Goldblatt revealed what cabdrivers do when they find out he’s an agent, Cat Rambo put in a pitch for SFFWA membership, Fran Wilde confessed a moment of squee which was also a moment of ooops, Steven H. Silver shared how he caused Anne McCaffrey to receive a Pern threadfall, Annalee Flower Horne told of the time John Hodgman stood up for her onstage during the awards banquet, and much, much more!

Here’s how you can dig into those donuts with us— (more…)