I’ve been rereading my late ’70s run of Captain Marvel this weekend (for a reason which will eventually be made clear) and noticed something I should have spotted at the time, but never did. (Or maybe I did, but forgot that I had. I’m leaning toward the former, though.)

A couple of years ago, I told you about a page of George Tuska art intended for Captain Marvel #54 which was at the last minute replaced by a Dave Cockrum splash page. Well, as I took a look yesterday at Captain Marvel’s origin story, first published in Marvel Super-Heroes #12 way back in 1967, that proverbial lightbulb went on over my head.

I suddenly saw that in his replacement page, Dave had done an homage to the cover which had started it all—

—and I’d never noticed!

Cap’s walking down a city street toward the reader, filling the page, right foot forward, people pointing, the background crowd mere silhouettes … it was obviously meant to be a tip of the hat to the Gene Colan classic.

How did I not see that immediately when the art was handed in back in 1977?

A third of a century for the scales to fall from my eyes. Wow.

Surely you had all noticed this a long time ago. Why didn’t any of you tell me?

As good wishes for Gene Colan light up the blogosphere, I’m reminded of the fact that when I first became aware of his work, that work wasn’t appearing under his own name, due to the comic-book traditions of the day. Back then, it was taboo for artists and writers to openly accept assignments from multiple companies, and so if they wanted to work for other than a single outlet, they had to do so under a pseudonym, creating a different house name wherever they went.

For example, when DC inker Mike Esposito first started working for Marvel Comics, he appeared under the name Mickey Demeo. Frank Giacoia became Frank Ray, Gil Kane was reborn as Al Stak, and so on.

From this vantage point, it all seems a polite fiction, because who could read the works of any of these creators and not know who really wrote or drew them, whatever the pen names? Surely the editors and publishers of the day could see right through the ruse. But I guess they were primarily concerned that the readers think that all of their favorite artists and writers were exclusive, and in those days when comic-book fandom was just being born, the powers that be probably felt that no one would be able to tell what was really going on. (more…)

I may be a little late to report this unfortunate news, but better late than not at all. Gene Colan, an amazing comic-book artist who is perhaps best known for his 81 consecutive issues of Dardevil, the entire 70-issue run of Tomb of Dracula, and most issues of Howard the Duck, is reportedly suffering from liver failure, which has led to perilous complications, among them fluid retention and encephalitis. Gene’s wife, Adrienne, shared some of the details here.

Gene has been drawing comics for more than 50 years. If you’re not familiar with his work, check out one of my favorite sites, the Silver Age Marvel Comics Cover Index, which features a gallery of some of Gene’s greatest covers. Personally, I’ve always had a nostalgic soft spot for the cover of Marvel Super-Heroes #12, shown to the right. I can still remember encountering it in a Brooklyn candy store when I was 12 and being blown away by the first appearance of Marvel Comics’ Captain Marvel. (My fondness for that memory has nothing to do with the fact that I’d end up writing his adventures a decade later.) I recall staring at the cover and desperately wanting to know, who is this guy? Gene’s distinctive artwork, which displayed human emotions through facial expressions and body language in a way few could, certainly contributed to that. (more…)