While I was over at my sister-in-law’s house Sunday night, I happened to notice a stack of old comics on the coffee table and picked up this one—Detective Comics #350 (April 1966)—because who could resist a Batman drawn by Joe Kubert or those Go-Go Checks?

The house ads in the issue were as much fun as the stories (which is often the case), and I was particularly intrigued by this one, in which DC claimed it sold “twice as many comics as any other competitor” and “almost as many as all other comics combined.” (more…)

I told you last week that as I was flipping through some of Irene’s old comics, one thought kept going through my mind at the sight of the anxiety-producing situations on the covers of Strange Adventures—

I hate it when that happens!

And as I continued looking at the covers of other DC Comics anthology titles—such as House of Mystery, Tales of the Unexpected, Mystery in Space, and My Greatest Adventure—the phrase continued to repeat in my mind …

I hate it when that happens!

(more…)

Irene’s been going through her comic book collection, and last night, I found myself attracted by her stack of old Strange Adventures. As I looked at the seductive, anxiety-producing covers, all I could think was—

I hate it when that happens!

(more…)

So Irene spent part of her day poring through her comic book collection, which meant that when I stepped into her office late this afternoon, I saw the cover to Action Comics #196—and with a cover like this, you know I had to pick it up.

I don’t think I’d ever seen that issue, which would have gone on sale a couple of months earlier than its September 1954 cover date during the year before I was born. But far more interesting than the story that cover was touting was an ad advising kids how not to catch polio. (more…)

I know all about Superman co-creator Jerry Siegel’s 1975 letter putting a curse on the company that wouldn’t do right by him. After all, it wasn’t history to me, as I was on staff at Marvel Comics at the time, and we were all well aware of the letter that began—

It has been announced in show business trade papers that a multi-million dollar production based on the Superman comic strip is about to be produced. It has been stated that millions of dollars were paid to the owners of Superman, National Periodical Publications, Inc., for the right to use the famous comic book super-hero in the new movie. The script is by Mario Puzo, who wrote The Godfather and Earthquake. The film is to have a star-filled cast.

I, Jerry Siegel, the co-originator of Superman, put a curse on the Superman movie! I hope it super-bombs. I hope loyal Superman fans stay away from it in droves. I hope the whole world, becoming aware of the stench that surrounds Superman, will avoid the movie like a plague.

And ended—

WHAT AN INFERNAL, SICKENING SUPER-STENCH EMANATES FROM NATIONAL PERIODICAL PUBLICATIONS, INC. We hope the public will never forget this when seeing the Superman character, or National Periodical comic books. Do not patronize Superman because of this injustice.

Amazing, huh? If you want to read the whole thing, you can find it here.

But what I never knew (which surprises me) is that there was also intriguing correspondence out there related to Bill Finger, the man responsible for most of what we like about Batman.

Thankfully, Marc Tyler Nobleman, author of Bill the Boy Wonder: The Secret Co-Creator of Batman, has enlightened me about those letters and the scenario that spawned them. (more…)

There’s a new wrinkle to the war against Jerry Siegel and Joe Shuster and Superman that goes beyond what’s in the play The History of Invulnerability, which I told you about earlier this week. It seems Ohio wants to offer a special license plate commemorating that state as the “Birthplace of Superman” for the 75th anniversary of the creation of the Man of Steel, but DC Comics and Warner Bros. have objected to the wording.

Nate Beeler, a staff cartoonist for the Columbus Dispatch commented on the brouhaha with the cartoon below, which I spotted over at Daryl Cagle’s blog.

No one’s really sure why there’s an objection to the wording of the plate, but Ohio is attempting to come up with an acceptable alternative. Beeler worries that those alternatives might also be found unacceptable:

Everybody knows Superman is a fictional character who comes from the fictional planet Krypton and grew up in the fictional town of Smallville. What people might not know is that he was created in Cleveland by the legendary Jerry Siegel and Joe Shuster. The license plate is a nice way of bringing attention to the great cultural contribution of these Ohioans. If the wording is changed to something like “Birthplace of the creators of Superman,” I just hope that DC Comics won’t object by saying, “But Superman’s parents, Jor-El and Lara, were also from Krypton!”

As for me, there’s something I find unacceptable, but believe me, it ain’t the slogan.

I went to Theater J on Sunday to catch a matinee performance of The History of Invulnerability, a play based on the real-life tragedy of how Jerry Siegel and Joe Shuster got screwed out of the rights to Superman, and my feelings are complex. What isn’t complex, though, is my feeling that you should rush to see it if you can, so let’s get that out of the way first. The final performances are on July 8, so you have a few weeks, but don’t dawdle. It’s well worth your time.

But I’ve been wondering, as I struggle to parse my reaction to this play, whether it’s possible to be too close to the material to see it clearly.

Oh, who am I kidding? Of course I’m too close to the material to see it clearly! I’ve been a hardcore comics fan as far back as I can remember, I was working in comics when the first Superman movie was about to be released and justice was being demanded for Siegel and Shuster, I already know all the crimes committed against the Man of Steel’s creators, and last year I even attempted to win some of Jerry Siegel’s hair at auction!

Plus (and this ought to give you an idea of how invested I am in this shameful tale out of comics history) I already had such a feeling of hatred for Harry Donenfeld and Jack Liebowitz going in that I literally started hissing at a certain point when one of them took the stage and started speaking, and had to squelch that visceral reaction once I realized what I was doing. So I don’t come to this play with a clean slate, able to judge this play the way I would a different one not based on a topic already embedded in my DNA. (more…)

I’ve been resting my head on these guys for decades. Well … not continuously. I do have other pillowcases, you know!

But I only noticed last night—after many, many years—that these other guys were on the flip side!

How is it that so much time has gone by without me ever noticing this before?

I say it’s all Wendy and Marvin’s fault!

Yes, I know Curt is no longer with us, but he would have turned 82 the other day, and since he was THE Superman artist of my youth, I figured I should take note. His is the face of Superman I see when I close my eyes, though you’d think, based on my age, that face could have easily belonged to Wayne Boring.

As far as I know, I only met Curt once, back in 1973 at a National Cartoonist Society Ruben Awards banquet held at the Waldorf Astoria. I was just a fanboy then, my job in the Marvel Bullpen still in the future. I was the guest of cartoonist Bill Kresse, whom I’d met thanks to a high school class trip to the New York Daily News.

I wore a old tuxedo which had belonged to a family friend, and as is true for all fanboys back then, I carried a sketch pad tucked under one arm. And to the embarrassment of my host, I interrupted the artists as they tried to eat their rubber chicken, and asked for drawings. (At least I assume my actions had to embarrass Bill. He never said. Who knows? Maybe he found them amusing.)

Here’s what Curt graciously drew for me. (more…)

I already told you about my wife’s current auctions, which are still ongoing. But my sister-in-law is also selling something amazing, so please forgive me for shilling for a relative yet again.

The page is from the story “Slaves of the Emperor Bug,” published in the penultimate issue of the first run of Teen Titans, issue #42 (Nov/-Dec. 1972), with art by Art Saaf and Nick Cardy.

Take a look.

You only have from now until Feb 24 to bid, so if you’re interested, check out the auction here.

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